************* CROSSROADS MOTEL 8:32 a.m. On the night table, beneath the cheap lamp that Mulder had left on the night before while he'd been reading and watching television, the cell phone began to ring. Mulder's eyes came open slowly as he drew in a deep breath, turned his head toward the sound. The file that was open and lying flat on his chest shifted slightly, paper slipping from it to rest on the mattress and floor. He put his hand on it as he sat up a little more against the headboard and reached for the phone, pressing the talk button on its way to his ear. "Mulder," he called, sleep still in his voice. The television was playing softly on the bureau against the far wall, Katie Couric and Matt Lauer yukking it up over something. He grimaced at them, reaching for the remote to mute the sound. He felt like he had a hangover from having so little sleep. "Mulder, it's Granger," came the somewhat breathless reply. "We've got a problem." Mulder sat straight up now, instantly awake. Files rained down on the floor. "Is it Scully? What's happened?" "Malcolm Flaherty was killed in his house last night. A professional hit. He was found in the middle of his bedroom, his wrists and ankles bound with electrical tape. A single shot to the back of the head." Mulder swung his legs over the side of the bed quickly. "Flaherty's dead?" he repeated, his voice rising. "Yes," Granger replied. "They're not sure when. The medical examiner is still working on him. The butler found him this morning. Nobody heard anything. The house alarm was shorted out. The people knew what they were doing, that's for sure." "They know about Scully," Mulder said with conviction, and swore under his breath. "Padden's not so sure about that," Granger replied, trying to sound hopeful. "It could just be another splinter group. There are so many, after all. It could have been someone pissed off with Flaherty for something else. He had dealings with a lot of questionable people, Padden said. It could have nothing to do with Scully or Curran at all." "That's damned unlikely," Mulder spat back, standing now, looking around for his pants. The room with its cinderblock walls was chilly, and as Mulder stood there in his grey boxer briefs the hairs on his legs rose up in goosebumps. "We've got to get her out of there," he said tersely. "We've got to get her out right now." "There's no way for us to do that, Mulder, without risking blowing her cover," Granger replied reasonably. "We're not sure it's been blown, and storming into that apartment with a bunch of agents might just endanger her more. She's got a ticket out at 11:00 a.m. Padden thinks the best thing to do it to simply see if she gets on that plane. He says if she doesn't, then we'll know if we need to put an extraction plan into effect. She's going to be fine. Just be patient." "Patient my ass," he said angrily. "Padden's got a little too much patience about this whole thing. He's willing to risk her too much. I bought a ticket to be on that plane with her. If she doesn't get on I AM going to that apartment to find her. I don't care about any ‘extraction plans.'" Granger was silent for a moment as Mulder pulled on his jeans, balancing the phone on his shoulder. Mulder could almost feel the man's tension at being privy to his unauthorized plans, but he gave the man credit for not arguing with him about it. "It just wouldn't make any sense, Mulder," Granger continued finally, sounding genuinely puzzled. "Curran killing Flaherty, I mean. Flaherty's the one who supplies him with everything he needs, isn't he?" "Curran's been doing nothing *but* kill his own people for months now," Mulder replied, buttoning and zipping his jeans. "But why risk killing Flaherty now?" Granger replied. "I mean, even if he did find out about Scully, wouldn't it be detrimental to him to just kill him that suddenly? Like shooting himself in the foot?" "Not unless..." Mulder stood up straight, still, his mind sifting through the massive amount of information he'd read the night before, and in the days previous. Things were beginning to fall into their place in his mind. "Not unless he was sure he wouldn't need him anymore," he said softly. "‘Wouldn't need him anymore?'" Granger repeated. "How could that be?" Mulder nodded to himself, paced a couple of steps. "I think the bombing's going to be today," he said, a little breathless himself now as he raced through the possibilities, the facts. "What?" Granger said, alarmed. "How do you know that?" Mulder turned toward the window that looked over the balcony, the cheap curtains slightly cracked to let the grey morning light in. He nodded again, feeling certain of himself. "That's the only way he would be able to kill Flaherty. Because he didn't need him anymore. To get ready for it. Because it's today." "Mulder, begging your pardon, but you're making a big leap here," Granger said dubiously. "I'm not, I'm not. Hold on...hold on just a second..." Mulder went back to the side of the bed, pulling files off the floor, flipping through them, looking for the right one. He'd been looking at them for so long he felt like he had them memorized. He rifled through the stack until he found the file on Elisa Curran. "There's something in here...I remember reading it but I didn't make the connection until you told me about Flaherty..." Granger was silent as Mulder skimmed the file, his finger running down across the text, the phone on his shoulder again. "Dammit, what's today's date, anyway?" Mulder asked quickly. "The fourteenth?" "No, it's the fifteenth," Granger replied impatiently. Mulder's finger continued down the paragraphs, suddenly stopped. "Here it is," he said. "Elisa Curran was killed on January fifteenth in Belfast...the bomb went off right at 3 p.m." Granger was silent for a beat. "But why would he want to bomb the British Embassy to mark the anniversary of Elisa's death? And why kill Flaherty now? He didn't have anything to do with that." Mulder's mind raced, his eyes focussed on the picture of Curran and Elisa on the corner of the file. He thought of the bombing in the market, Elisa Curran in the wrong place at the wrong time, a fact of which he was certain. Curran cut out of the loop. He thought of Danny. Of Mary Rutherford. Hugh Cromes, the body that had washed up on the beach at the river. All the others. The last puzzle piece -- Flaherty's death -- clicked into place in his mind. He smiled through his tension. It all made perfect sense now. "Because he's not going to bomb the British Embassy," Mulder said at last. "What?" Granger asked incredulously. ********** 2233 GRACE STREET 8:53 a.m. Scully's hand shook as she poured her second glass of juice of the morning, emptying the carton. Mae was at the stove behind her, fetching the kettle for tea, the television chatting in the other room, laughter from a studio audience leaking into the room and seeming strangely at odds with the silence of the apartment's two occupants. Scully looked at her hand with concern as she set the empty carton down, making a fist in front of her face as she studied her hand's tremble. The shaking was getting worse, not better, as time wore on. She was at a loss to explain the drug's symptoms in her, and it was beginning to worry her. They were lingering on too long. And she had spent another entire night awake, for awhile staring out the windows, lying still in her bed. Finally, she'd risen and gone to her closet, bringing her suitcases out and laying them on the bed, carefully packing her things in preparation for leaving. It had taken her a long time, but she had been glad for the distraction. That was three nights now without sleep. And it was beginning to take its toll on her. Concentration was difficult. Her emotions were close to the surface, threatening to overwhelm her. She remembered that Danny had told her he'd gone over two weeks without sleeping. No wonder the man had cried all the time, she thought, taking a sip of the juice. And she stopped. Held it in her mouth. There was something strange about it, something in the texture, the taste. As though something had been collecting at the bottom of the carton and had just been poured out with the last of the juice. Mindful of Mae, whose back was still turned, she spit the mouthful of juice back into the glass, set it back on the counter. She reached for the empty carton, reopened it, gave the interior a sniff. Orange juice and something else. Something faintly chemical. Oh God... "Mae?" she called, keeping her voice soft, steady. "Uh huh?" Mae replied, pouring the tea and pulling out two pieces of toast from the toaster. "Has...has Owen been here in the past few days?" She tried to sound as casual as she could, but panic was starting in her, her heart pounding. "Um...yeah," Mae said distractedly, buttering the toast. "He was here a couple of days ago, I guess, dropping Sean off." Then Mae put the knife down, turned to her, her eyes widening. "Why?" Scully turned slowly, held the carton out toward Mae's face. Mae locked eyes with her, took the carton, smelled the contents deeply. "That son-of-a-bitch," Mae whispered angrily, reaching out and gripping Scully's upper arm, as though she meant to keep her from falling. "I'm so sorry. I didn't think of it at all." Scully nodded, her hand going to her mouth. "It's okay," she said softly, putting a hand on Mae's arm. "Just...just excuse me for a minute." She brushed past Mae, heading down the long hallway to the bathroom, entering the room quickly. As she passed the sink, she grabbed her toothbrush, knelt in front of the toilet. Within a few moments her stomach was empty. It wasn't even difficult because the thought of what she'd consumed made her feel so sick. At least one dose of the drug would not be completely absorbed into her system, she thought with some relief. She stood in front of the sink, brushed her teeth, then wet a wash cloth and pressed it to her face, the cool water feeling good against her flushed skin. "Are you all right?" Mae asked from the doorway, where she'd poked her head in shyly. "Yes," Scully replied immediately, her voice stronger than she felt. She put the wash cloth down and pushed her hair behind her ears, trying to put her reflection back together. "Katherine, I'm so sorry." Scully looked at Mae in the doorway, nodded simply. "It's not your fault, Mae," she said quietly. "You're still going to leave today? Even knowing you've been exposed to more of the drug than you thought?" Scully nodded. "Yes," she replied. "I'm going to go before any of this gets any worse. I still don't think I've had enough for it to be lethal, but if I stay Owen will keep trying to get more of it in me. I have to get away." Mae nodded, looked down. "I understand," she murmured. When she looked back up, there was determination in her eyes. "I'm going to talk to Owen this morning about whether there's a cure for all this. I've never heard him speak of one before, but he may know something that he hasn't talked to me about. He's kept so much about the drug from me, that could be the case." Scully nodded, feeling a little hopeful at that. "Thank you, Mae...I hope that's true. I don't know if he'll give the information to you even if he does have it, but I appreciate you trying." Mae nodded. "You're welcome," she said softly. "It's the least I can do for you." She hesitated, as though she needed to work up her nerve to say something. Then she looked up, met Scully's eyes. "I'll miss you, Katherine." She smiled sadly. "You're the first real friend I've made in I don't know how long." Scully returned the sad smile. "I'll miss you, too, Mae," she replied, and meant it. Despite her cover, despite Owen, all of it -- she did consider Mae a friend. No matter how strange the circumstances of that friendship. She did, however, feel a little guilty about Mae calling her a "real friend." Mae didn't even know her real name. Mae looked away, then back at her earnestly. "I'm glad you're getting away from all this, though," she said with conviction. Then she looked away again, her eyes shining. "This bloody mess..." she added under her breath angrily. Scully was surprised by her words, but only nodded. She'd known Mae had her regrets about some of the things she'd done, but she didn't realize she felt this strongly against the work she was doing. She supposed the falling out with Owen had a lot to do with that, his treatment of her, his deception. It must be hard, Scully thought, to believe in something that seemed to be based on so many lies. Mae shook her head, drew herself up a little straighter, looked at her watch, brushing the conversation away. "I've got to go get Sean," she said. "I'm late doing it already. I'll be staying there for a bit, but I'll be back in time for us to take you to the airport." She forced a smile. "We were the first ones to see you when you got here; it seems only fitting we'll be the ones to see you off." Scully smiled back. "Okay," she said, nodding. "I'm just going to take a shower, get cleaned up. I'm already packed for the most part. I just have to put a few things in the suitcases. But I'll be waiting for you when you get here." "All right," Mae said. "Have a good rest of your morning. I'll see you in a bit." And she withdrew down the hall. Scully heard her put on her coat and go out the door, bolting it shut behind her. Scully looked at herself in the mirror, her shoulders falling now that she was by herself. The exhaustion she felt was intense, bone- deep. She noted the dark circles beneath her eyes, the paleness of her skin. She was leaning on her hands on either side of the sink, but she could still feel the slight tremor in them. She was going to be sick. She knew that. She might even need to go into a hospital when she got back to Washington to monitor her as she went through the withdrawal. Closing her eyes, she prayed that was all she'd be in for. Scully sighed, pushing the thought away as she stood and headed into the hallway, going down towards her room. She looked with relief at her suitcases laying open at the foot of the bed. Going to the bedside, she began to slowly undress, pulling the loose shirt she wore over her head, stepping out of her sweatpants and underwear, which she tossed on the bed. Her white robe was on a hook behind the door, and she reached for it, slipped it on quickly to avoid the chill in the room. She returned to the bathroom. Pushing back the cheap shower curtain, she turned the old handles on the claw footed tub until she got the water good and hot, popped on the shower. She took off her robe, lay it across the sink and stepped into the tub, let the steaming water beat over her, clearing her anxious thinking temporarily away. ** In his black car on the corner, John Fagan watched Mae come out the door to the building, fumbling with her keys as she headed toward her dilapidated pickup parked just out front. He noted with satisfaction that she seemed too distracted to look around as she unlocked the door, climbed in and edged out onto the street. He waited for several minutes after she'd disappeared around the corner to make sure she wouldn't return for something, finishing his cigarette calmly, his eyes narrowing as he looked at the door to the building, studied the upstairs windows for any sign of activity. He saw none. Finally he opened the door, snuffed out the cigarette with his boot, then made his way across the street, going in the building quietly, walking carefully up the steps of the landing. He unzipped his jacket, reached for the key in his pocket with one hand while the other glanced over the pair of handcuffs in their holder at his belt, then finally went to the holster at the small of his back, unclipping the strap that was holding the gun securely in place. A roll of electrical tape bulged out of the other pocket. He wouldn't need any of them, he thought, smiling to himself with anticipation. Not right away, at least. He stood outside the door for a long moment, listening. He heard the television through the thin door, and something else. A hissing. Water running. Pleased with this, he slipped the key in the lock, turned it slowly, almost silently. Then he pushed the door open a crack, stuck his head in to look into the living room. Seeing no one there, he entered the apartment, closed the door gently behind him. Steam was drifting out the bathroom door in the middle of the hallway that led to the back of the apartment. He could hear Katherine in there, bumping and squeaking in the midst of her shower. Edging down the corridor, stepping carefully, quietly, he went to the doorway. He peeked around the corner slowly, the sink coming into view, a white robe draped over it. Then the toilet, the battered radiator beneath the curtained window. Finally, he'd craned his neck enough to see the side of the tub, the shower curtain gaped open a bit at the foot of it. Katherine stood with her back to him, close to the showerhead, rinsing shampoo from her hair, smoothing her hands over the top of her head. He watched raptly as the bubbles from the shampoo made their way down her body, over her creamy back, the soft curves of her buttocks. He followed them all the way down her body for a long moment, mesmerized. She began to turn and he ducked back behind the doorway quickly, taking a step back for good measure. He held still. He was a patient man, particularly when it came to tasks like this one. Knowing he had the element of surprise in his favor, he relaxed, pressed against the wall. He waited. ** Scully finished rinsing, reached down and flipped the shower off, turned the handles of the tub, both squeaking loudly, until the flow of water had stopped. The sound of the television talking to no one, the drip of water, filled the air around her as she stepped out, reached for a towel and began to dry herself. She stood before the mirror and shouldered into her robe, tying the belt tightly as she rubbed the towel through her hair. Once she'd gotten it down to damp and smooth against her head, she draped the towel around her neck and stepped out into the hallway. From the back, a sudden sound of movement, then something crashing into her with all the force of a train, an arm going around her waist tightly, pinning her arms and lifting her slightly off her feet. The cry of surprise she'd been about to let out got caught in her mouth behind the gloved hand that clamped down over it with enough pressure to bruise. Her eyes widened in terror. Though she couldn't turn her head to look, she knew from the size and the strength that it was Fagan. Two words came up through the fear that welled in her: They know. She was sure of it. He began to hustle her forward, towards the bedroom. Gaining her wits about her, she kicked back with her legs. Her feet caught him in the knees hard and he stumbled. She took advantage of the break in his concentration and balance to free her hand. She clawed his face, skin coming up beneath her nails. "Fuck!" he swore, and dropped her. She hit the floor on her feet, fell forward onto her hands and scrambled up, running for the bedroom. She could hear his heavy footfalls coming after her as, panting with exertion and fear, she slammed the door closed behind her and turned the lock. Immediately she heard his body hit the door, him cursing, the wood rattling on its hinges. Frantically, she looked around the bedroom for something to use as a weapon, wishing for all her life that she'd violated Padden's order and hidden her gun in her suitcase. Fagan's body hit the door again, and she could hear wood beginning to give. She knew she had to take him out first. There was no other choice. She moved quickly, stepping up beside the door, every muscle in her poised to attack. As he hit the door again, she swallowed down the fear and steeled herself, the wood finally splintering. Fagan burst into the room, and Scully sprang, screaming to shock him for an instant. She got both arms around his neck and squeezed. His hands grabbed at her wrists as his breath wheezed in his throat. She held on, though, her arms shaking with the effort. He staggered, choking. Then he backed up suddenly, driving Scully into the wall beside the door with a grunt. She gasped but managed to hang on. He took another step forward and drove her into the wall again, and this time the pain was bad enough that she let go, tumbling to the floor. "Come here," he snarled, and reached down, grabbing her by the hair and hauling her up. Wincing, she drove her knee up into his groin and when he let go again, she took off. She had to get out of the apartment, she chanted to herself as she tore down the hallway. Or at least to the phone, barring that. She had to get out, or get somewhere here, now... She raced for the door, got a hand on the doorknob, but Fagan grabbed her, pulling her back, crushing her against him. She kicked back again, struggling, and got away, flinging herself toward the kitchen with Fagan only a few steps behind. She grabbed for the phone, began to dial. He slammed into her, knocking her against the counter hard, the receiver flying. His hands closed down around her throat. She couldn't breathe at all, his grip was so tight. Desperately, she groped in the sink behind her, felt the smooth handle of a knife. Grasping it, she swung wildly. The point made contact with his cheek, sunk in. She could hear it hit his teeth as he screamed, the knife sticking in his face and slipping from her grasp as he turned away from her. He let go of her again, his hand going for the knife and drawing it out as she staggered toward the living room once again. She made it three or four steps before she felt him knock into her legs. She hit the floor, he first thing striking the hard wood was her face. Her vision fuzzed, blood immediately coming from her nose. She tasted blood in her mouth, as well. He flattened himself on top of her, pinning her to the floor, his ankles over hers, immobilizing her legs. Clearly in a rage now, he lifted her head up, turned it to the side and slammed it down on the floor viciously once, twice. The world shrank to a tunnel as her eyes lolled, her body going limp. She turned her face against the floor, fighting off unconsciousness. She felt the cold bite of a handcuff on one wrist, then the other as he pulled her arms back hard. "No..." she cried, the side of her face and temple throbbing, her vision blurring. She could barely breathe with his weight on top of her. He leaned up for a moment, his knee digging into the small of her back, and she could hear something ripping. She gasped for breath, drawing in a lungful of air and shouting the word again. The cry was cut off as a thick piece of electrical tape was drawn across her mouth, a hand pinning her head down onto the floor. His other hand pulled at her robe, pushing it roughly up her back. God, no...she thought as more and more of her skin was exposed to the air, his hands moving over her body freely now. Not this... She closed her eyes, swam in a muddy pool of pain and near- consciousness. She prayed for the darkness to come. *********** 2233 GRACE STREET 10:03 a.m. In the background, the sound of someone slamming around in the kitchen, drawers opening and closing. The television just behind her. Heavy footsteps going down the hallway and coming back again, the occasional sound of cursing. But the sounds were distant, as though she were underwater and was hearing things happening on a surface she could not reach. She blinked slowly, watched the light shine in dusty beams against the countertop, the light bending, shifting as her eyes opened and closed. The loudest sound, loud as a slow, low drumbeat, was the tap of drops of blood coming from her nose. They ran down the slick surface of the tape over her mouth in a thin stream to the floor, gathering a tap at a time in a small, thickening pool against her jaw and the side of her face. Then her breathing, wet and slow. The faint sound of her heartbeat as it pulsed in her ears, throbbed across the side of her head. It felt like something was being shattered across her temple, her cheek, with each beat, the pain coursing, tunnelling her vision now and then. It was all she could feel. The rest of her body was a mystery to her. She closed her eyes, her brow squinting down as she shifted her head against the hard floor. A small noise came from her throat at the slight movement. For an instant it felt like she had fallen lightly asleep. The pain vanished into the ether. Then she was hovering over herself, seeing her body at the center of a hazy tunnel of light, weightless, as though she hung from the ceiling on a thin white string. She was on her side, her legs curled up against her chest, her arms locked behind her back, her upper body turned toward the floor. Her robe was high up on her thigh and had slid off one shoulder slightly, exposing the pale of her arm and back. The white of the robe was spotted with blood across the back. There was a huge red smear across her bare shoulder. The side of her face that she could see, her temple, the curve around her eye, was red. Already swollen. She looked down at herself in the vision for a long moment, watched the slow, shallow rise and fall of her chest. It was the only thing that assured her she was actually still alive somewhere below her. Then a figure entered, standing before her. She looked down at the top of his head, his hand up beside his face, holding something against his cheek. "You *bitch*," he said to her body, his voice low, as though it had gravel in it. His words were slightly stilted, as though he couldn't move part of his mouth. "Look what you did to my face." He reached out with a foot and put his boot on her upper arm, gave her a hard shove, nearly pushing her over onto her back... And with the touch, the string snapped and she crashed back into her body, the pain rushing in. Not just from her head now. From her entire body. Memory, awareness came with it. She wanted to scream with all of it. Instead, she pulled in a huge breath, opened her eyes and looked up at Fagan. Blood had run down the side of his face, his throat, into his collar. The towel he held to his face was matted with it, his hand and wrist covered. For a long moment they simply stared at each other. She met his gaze steadily, defiantly. "No fucking tears, FBI?" he asked, shaking his head slightly. "You're just going to try to tough it out then, aren't you?" She blinked slowly. In her mind, she suddenly saw Mulder, sitting beside her on a bench. He was looking at her with a smile that touched his eyes, making them warm, inviting. He reached out and put a hand on the side of her face, cupped her cheek, his thumb running lightly over her temple... She returned her attention to Fagan, her eyes hardening. Yes, she said with her eyes. Yes, I am. He must have heard her, because his rage flared, his mouth going to a thin angry line. He dropped the towel, exposing the wide gash in the side of his face. Reaching behind him, he took out his 9mm pistol, pulled back the hammer. Then he bent quickly, grabbed Scully by the ankle with his free hand. She pulled against him, kicking with her legs uselessly. Her head was spinning with the movement. She was too weak to fight much against him anymore. He dragged her across the floor, through the living room and then down the hallway towards her bedroom in the back. ********* OWEN CURRAN'S APARTMENT 1903 KENSINGTON AVENUE 9:21 a.m. (40 MINUTES EARLIER) Mae Curran pulled up outside her brother's apartment building, parallel parking carefully into a space just outside the old Victorian building. Breathing out slowly, she leaned her head against the steering wheel, closed her eyes, steeling herself. She had felt uncomfortable with her brother in the past, small disagreements over small things. But she had never felt this way about him. This was as if she were going to visit a stranger. The distance between them had grown that wide. Katherine stood between them, certainly, but there was something else, as well. Something she couldn't quite name. Leaning back, she pulled the keys from the ignition, climbed from the truck, the suspension creaking tiredly. She checked her reflection in the salt-covered side window of the truck's battered cap, pushed her hair behind her ear self-consciously. She wanted to look strong, stronger than she felt, and she wasn't sure she was going to pull it off. It was all the stressors of the day piling on her that gave her the tired, troubled air she saw there. Katherine and her illness, and the thought of her leaving that morning. The conflict with Owen she felt so deeply, certainly. Knowing all of them would be going into hiding for awhile after the bomb went off today, that they might even be forced to move again if the authorities became suspicious. She didn't want to do that. She was contented where she was, as contented as she could be this far away from her real home, a place she wondered now if she would ever be able to return to. The thought, which she'd had often in the past few months, filled her with sadness. Then, gnawing at the back of her mind, was the potential loss of life caused by the bombing itself. There was a time when she had a stomach for casualties, believed in the inevitability of deaths in the name of the work they were doing. That time had, at some point, passed. She sighed, wondered when it was exactly she'd lost her tolerance for the life she had chosen. When she'd lost her belief that the sacrifices had been worth it. She pushed the thoughts away as she went towards the house, climbed the wooden landing to the door. Once inside, she walked slowly to the first floor door that marked the entrance to Owen's apartment. She knocked, though she had a key. The door did not seem to be open to her enough to use it. Sean opened the door in his jeans and a flannel shirt, his shoes on but untied. He was holding an action figure in one hand and looked up at her silently. There was something in his eyes, in his silence, that concerned Mae immediately. She went into the apartment and knelt down in front of him to embrace him. "You look like you've lost your best friend, little man," she said softly, rubbing his back, forcing her voice to be light, teasing. "What's the matter then, eh?" She could hear Owen in the back bedroom, moving around. "Daddy's packed up all my things," Sean replied quietly as Mae pulled away to look into his face again. "He's done what now?" she asked, and then she looked around her. Sure enough, there were suitcases by the door. Five of them, enough for all of Sean and Owen's things. "He says we're going to go far away," Sean said, and his lip trembled slightly. "That we're leaving today." He put the action figure's arm in his mouth, something she hadn't seen him do since he was a little child. Something sunk in her as she listened to him, her fears about what Owen wasn't telling her boiling up and threatening to show on her face. Instead she forced a thin smile, stroked Sean's hair. "I'm sure he means that we're all just going away for a few days," she soothed. "Try not to worry, all right?" She stood, not wanting to leave him, but wanting to talk to Owen. She walked a few steps to the small television, turned it on, then returned to Sean, led him by the hand and settled him down on the couch. "You just watch a little television while me and your dad have a talk, all right? I'll be right back." He said nothing, his eyes on her, wide and wet. She turned away from him reluctantly and went down the hallway to the large bedroom in the back. Owen was standing in front of his chest of drawers, dressed in black pants and a turtleneck and his black leather jacket and boots. In his hand, a pistol, another one lying on its side on top of the dresser, bullets sprinkled about. He was loading the gun in his hand, paused as he looked up at her, his expression unreadable. She stood in the doorway, her arms crossed in front of her. She wanted to appear angry, but she knew that she probably looked afraid. "I want you to tell me what's going on," she said quietly. "And I don't want any bullshit this time. What have you been keeping from me, and why?" He looked away from her now, down at the gun as he pushed another bullet into it. He sighed, hesitated for a moment, shaking his head. "I've wanted to tell you for a long time," he replied finally, matching her volume. "But I was afraid you would interfere, try to stop me from what I know has to be done." "What are you talking about?" she pressed, impatient with his quietness, with his unearthly calm. Usually on days before an operation he was keyed up, nervous, careful. This was different "And where are we going?" she continued, unable to stop the questions now that they had started spilling from her. "Why haven't Ian or any of the others told me that we're going? As far as I know everyone's still at their work, still--" "They're not coming with us," he said flatly, interrupting her. He still would not look at her. "It's just you and me and Sean and John. The others are staying here." She was stunned into silence for a beat. "What?" she asked softly. Her eyes had widened. "We're leaving them," Owen replied, cocking a bullet into the chamber as he finished loading the gun. There was a strange tone in his voice. Something almost dreamy to it, content. "All of them." She simply stared at him, her mouth opening and closing for a second as she struggled to find words, for her mind to catch up with what she was hearing. "But Owen...none of them know, do they?" He shook his head immediately. "No, they don't," he replied calmly. "There's a lot they don't know. But it will all become clear to them today. Everyone will know today." She replayed his words in her mind, wondering at the strangeness of them. What was there for them to know about the operation that they didn't already? Unless... She swallowed, her mouth suddenly dry. "We're not...we're not bombing the British Embassy today, are we?" she asked softly, and hated the tremor in her voice. "That's why you were so unconcerned about the security there. Because that's not where you're going today at all." He shook his head. "No," he replied, meeting her eyes. She looked into their darkness. They seemed bottomless. My God, she thought, terror gripping her. Somewhere along the way, quietly, without her noticing it, he had gone insane. "Where are we bombing, Owen?" she pressed carefully. He looked out the window. She watched the strange smile in his profile, stood still, waited for him to answer her. "Do you know what today is, Mae?" he asked softly instead of answering her. "Do you remember?" She thought about it, rolling the date through her head. The answer came immediately to mind. "It's the day Elisa was killed," she replied, and now a tear did escape down her cheek. She brushed it quickly away. He nodded, looked down. "Yes," he said, and his voice was suddenly tinged with anger. "And it's time for them to pay for that. And not just that. It's time for them to pay for their betrayal of me, of the work. All of them. The Americans, too, for the part they've played in this, brokering this peace that will destroy everything we've fought for." Time for them to pay... The words seemed to echo in her mind, and she closed her eyes as what he was saying sunk into her, burning in her like acid. It wasn't the British he was after. Not anymore. The Cause had become tangled in his mind somehow with the death of Elisa, she realized. His loyalties were now confused, the things that motivated him corrupted with rage, with grief. He was going after the ones responsible for Elisa's death, for the compromises for peace. It was the Irish themselves who were the targets now, she realized. The Irish and the Americans. And there was only one place close by where the two intersected. "The Irish Embassy then?" she choked out. The tears were flowing freely now. She wiped at her face quickly, fighting for control. He looked at her, nodded once, seemed pleased she'd come to the answer herself, as though her being able to do that made it make more sense. She cleared her throat, looked down. She had begun to shake as the madness of what he was doing washed over her. It went against everything she believed in and had spent her life fighting for. And she'd been a party to it all this time and not even known it. As, she suspected, most of them had been. She struggled for calm as she looked at him warily. She was uncertain now of what he might do should she make any move against him, say anything that might displease him. It was as though she were an owner of a dog that had suddenly, silently, gone rabid. "Who...who knows about this?" she asked. He shook his head. "Hardly any of them know. Danny knew. Hugh Cromes. John knows. A few of the others. The ones driving the truck today, of course. But the rest of them don't know a thing about it." He drew in a breath, looked at her. "It's better that they never knew." She covered her eyes as she listened to him. He talked about these people, her friends, people she'd known for years, as though they were dead. Which perhaps they were. "They're all going to die, aren't they?" she whispered, lowering her hand, her eyes freshly washed with frustrated tears. "When we leave them...there's no cure for the drug, is there?" His eyes were lifeless as he looked at her. Like a doll's eyes. Or a shark's. "I suppose they will," he said gruffly, indifferent. "I needed them on the drug to make sure they would stay to do the work, to not turn their back on me like so many were doing before I put them on it. They're all IRA anyway, or used to be. I'm finished with them now. With all of this." Mae felt something in her give with that, something tearing away. "But Owen," she said shrilly, stricken, her emotions taking over. "They were loyal to you! To the work! Jesus, they're our *friends*! How can you do this to them?" He turned to her quickly, took a fast step toward her. He got an arm across her chest and pushed her up against the doorframe roughly. She cried out as her back hit the wood, Owen's face pressed into hers. His eyes were wild, and whether he intended it or not, the gun was beside her face. "You and John are the only ones I trust to stay loyal to me, the only friends I've got!" he roared. "And the work is OVER! The Yanks and the Sinn Fein are seeing to that! So they'd all leave! They'd all leave me soon enough anyway!" His forearm was across her throat now. She looked into his eyes desperately, terrified. "Owen...you're hurting me..." she said softly, trying to keep her voice level. "...and don't yell with Sean in the next room...please..." He held her for a second longer, then withdrew, releasing her. He was looking at her, anger still in his eyes, as though daring her to raise her voice to him again. She saw it and looked away, deferring immediately. He'd grown too unpredictable, too dangerous. She was actually afraid for her life. She closed her eyes, feeling her world breaking apart around her. When she reopened them, her face was a blank mask, her emotions buried. "I'm going to take Sean back to my apartment and wait for you there," she said softly. "You can't do that," Owen said instantly. "At least not right away." Her heart skipped another beat. "Why?" she asked, her voice still calm, level. He tucked the gun in the holster at the small of his back, opened the drawer and set the other gun inside it, pushing all the bullets in with the side of his hand. "I've sent John over to kill Katherine," he said. There was no regret in his voice when he said it. There was no inflection at all. Mae went cold all over. "Why did you do that?" she murmured. She felt suddenly sick. He finished gathering things off the dresser, putting things in his pockets. "Because your *good friend* Katherine is an FBI agent." She gaped for a few seconds. "That can't be," she said incredulously. "It's true," he said flatly. "John fingerprinted her. We got the information last night. So don't you be going over there for an hour or so. Give John time to clean up his mess before you take Sean over. Then go and pack your things and get ready to go." Mae swallowed down the knot in the her throat, looking down at the floor, as though the answer to all she was feeling was there around her, somewhere just out of sight and reach. "Where are we going?" she asked faintly, unable to meet his eyes. Her voice sounded strange to her. Like a little girl's. "I don't know yet," he replied. "I've been taking money out of the Free Ireland account a bit at a time over the past few weeks -- I've got about $20,000 now, lining those suitcases. After today we won't have the CFI to rely on anymore, that's for certain. But this should be enough to get us all settled in someplace." She was silent, forcing her face into some semblance of a normal expression as her emotions reeled. "Anyway, " Owen continued, oblivious to her plight. "I've got to get down to the truck. John's meeting me there when he's done." When he's done... She nodded, numbing inside. "Okay, Owen. Sure." She forced a smile. He came up to her by the door, standing close, put a hand on her shoulder. "It's really going to be all right, Mae," he said. "You've wanted to leave the work for a long time. I've known that. Well, now we'll be done with it. Get a fresh start. Just the four of us. I'll be better this way. Better for Sean." He leaned over and kissed her cheek softly. She recoiled a bit from his touch and prayed he wouldn't notice. He didn't seem to. Then he was out the door, going down the hallway. She heard him say goodbye to Sean for a long moment, telling him he'd be back that afternoon. Then he was gone. She stood for a long time in the doorway, staring down at the floor, listening to the sound of the television, to Sean's silence. Her mind kept going to the Path members -- Ian and the others -- who would be dead soon. She thought of the people at the embassy in Washington, so vulnerable and so unaware. She nearly drowned in her own helplessness. Then she thought of Katherine, their friendship, which she believed was more than a convenience. She didn't know how she knew that for certain, but she did. Then she thought of Katherine with Fagan. Her hand shook as she checked her watch -- she'd been gone from Katherine about 25 minutes. She didn't know if it was too late. Inside her, something released, like a fist slowly opening. She heaved in a deep breath, let it out. She knew now what had to be done, and quickly. "Jesus Christ..." she breathed, and wiped roughly at her face. Going forward, her feet moving as if of their own will, she went to the dresser, threw open the drawer and pulled out the other gun, a Sig Sauer. She dropped the clip out of it expertly, fumbled for bullets one at a time, clicking them into the clip efficiently. Then, using the palm of one hand, she slapped the clip home, put the safety on. Beside the bullets in the drawer, the blunt cylinder of a silencer. She screwed it carefully onto the end of the pistol and stuffed the gun in the deep pocket of her coat. Moving swiftly into the living room, she saw Sean still sitting on the couch. He was looking up at her expectantly, that same wide-eyed look on his face. She went to the sofa, knelt down, tied his shoes quickly one at a time. "I'm going to put you and your dad's suitcases in the truck, Sean," she said, urgency in her voice as she did so. "I want you to get a few of your toys and games and such and put them in your little knapsack, all right?" She finished tying his shoe, the bow a little too tight. She left it though. "Now hurry. We're going to go back to my apartment for a little while and then we're going to go for a little drive." "All right," Sean replied, wiggling off the couch. There were several action figures, cards, strewn on the floor in front of the television. He knelt and began gathering them. Mae eyed the suitcases, steeling herself. Then she took hold of the biggest one by the handle, opened the door. ********* 2233 GRACE STREET 10:15 a.m. Mae parked at the corner, though there were spaces in front of her building. On the opposite corner, she could see John Fagan's car. So he was still here. Maybe it wasn't too late... She put the car into park, adjusted the heat up a touch and looked over at Sean, who was fumbling with his seatbelt. She took his hand, stopping him from releasing it. "I'll tell you what?" she said to him. "Why don't you just wait in the truck for me? I've just got to get a few things together, and you can stay here and play with your cards and listen to the radio until I get back. Will you do that for me, Sean? Stay right here?" He was still, looking up at her. She cursed, for the first time, his sensitivity. It was so difficult to lie to him and him not know it. "I don't want to stay in the car," he said, shaking his head. She blew out a frustrated breath. "Sean, I really need you to mind me right now, okay? I need you to stay in the car." "I want Daddy to come home," Sean said softy, his lip trembling. Dear God, she thought, her hand pushing back her hair. "Your dad's busy, Sean, you know that. He'll be back later. We'll see him later. Now can I trust you to sit right here? Not get out? Just sit here and play with your things?" Sean seemed to consider, the tears coming still. Finally he nodded. She reached out and brushed at his tears, cupped the side of his head. "I'm sorry to be so short with you, Sean. Things will be better when I get back, I promise." "Okay," he said quietly, folded his mittened hands in his lap. Mae smiled at him, a strained, nervous smile. "That's a good boy," she said softly, and reached for the radio knob, turned it on, music wafting through the cab. She turned it up just a bit, to make sure any sounds from the outside didn't come in. She opened the door, stepped out, and looked at her building from her vantage point on the sidewalk. She took in a calming breath, let it out, her hand going to the gun inside her pocket and fingered it, rubbing gently over the barrel, gathering herself. Then she made her way down the street. ********** In her mind, Scully was with her mother. The family together at Christmas, the crystal out, light shining off the faceted glasses as though they were made of diamonds. Her mother sat beside her -- black sweater, pearls. Across the table, Charlie continued his story, his hands in the air as he punctuated a point with a sharp jab of his fist. Scully's mother laughed, and Scully along with her. It felt so good to laugh. She picked up her wine glass -- it seemed to glow, filled with something as golden as light. She put it to her lips... Her face hit the nub of a nail top on the floor and she moaned, lifted her head as best she could. Her hair dragged out behind her. The pressure around her ankle tightened, the pace of her movement quickened. She looked up, reorienting herself. The ceiling spun around her and then she stopped suddenly, her leg dropping. Above her, Fagan was panting with the effort of dragging her, fresh blood coming from the wound in his face. His face was still filled with rage, the corners of his mouth turned down in a scowl as he looked at her, hatred flaring in his eyes. Scully lay very still. He swam in and out of focus, and for a moment, she was not certain if he was really there, or if he was part of some terrible vision. If it all had been. Vision or not, she met his stare, her breath heaving in and out hard with pain and fear. She was silent, however, which only seemed to enrage him more. "Fucking get up!" he shouted, and reached down, grabbing her by the arms and twisting her around. She remained limp, her head lolling painfully on the floor. He continued to pull her up until she was crouched on her knees, the undamaged side of her face against the floor. Then he reached out and took hold of her hair, hauled her backwards until she was kneeling. He kept his hand clenched in her hair as she swayed unsteadily. The pace of her breathing picked up as she felt the muzzle of the pistol press into the back on her head, just above where his hand held a fist of her wet hair. She held still, her mind racing despite the cloud of pain that had settled over her. Around her the room seemed to shift suddenly... Then she was with Mulder in their basement office. The first day they'd met, his glasses glinting in the fluorescent light as he swivelled in his chair and looked at her. He said something, but only his mouth moved. No sound came out. The only sound she could hear was her own breathing. Fagan speaking faintly, as thouigh from a great distance, in the background. Angry. Taunting. Donnie Phaster being hustled away as Mulder's finger tilted her chin up and she lost herself in his embrace. As she pressed her ear against his chest, she could hear his heartbeat... Or perhaps it was simply her own, here, now... The feel of Mulder's body inside hers, his chest pressed against hers, his eyes closing... Fagan jerked her head back again, but the pull of vision, the memory, was too strong... Then they were on the bench again, his hand coming out to caress her, his rough thumb moving across her temple. She wondered vaguely why that moment kept returning to her. She couldn't even remember the day, what they were talking about...nothing. It was his eyes. She could see in them at that moment how much he loved her. It was as real as he was. Her vision flashed bright and she closed her eyes against it, as though she were looking at a city made of entirely of light... She could feel tears welling again, but she would not let them come. She heaved in a huge breath, swallowed them down with the blood that had gathered in her mouth from the tear on the inside of her cheek. Both nearly gagged her. Fagan jerked at her head back again, leaned down to her ear, the gun beside her face now. He was screaming at her, asking her if she was ready for something. She could not quite place what it was... Something hard -- his loose belt buckle -- clapped against the back of her head. She kept her eyes closed, did not make a sound. Her mother laughing. Mulder's smile, the light playing on his face, sending half of it into shadow... A shot rang out, the ping of a silencer. She felt oddly light for a moment, felt Fagan's hand release her hair. It had been all that had held her up and she slumped to the side, the injured side of her head making contact with the floor again. She sucked in a breath in pain. Then something falling behind her. The clatter of a gun bouncing on the wooden floor. A cry of pain and surprise, a long stream of curses. Then footsteps -- slow, even footsteps -- coming towards her. She opened her eyes, turned her head, disorientation and confusion overwhelming her as she was suddenly *there,* forced back into the present. It was like a door had been open and had just now slammed shut. Mae walked behind her, towards the sound of the cursing. Scully rolled slowly to her other side as Mae stepped past her, saw Fagan on the floor, a widening circle of blood on his chest. He was on his back, pushing backwards with his feet toward the wall, looking up at Mae as she neared him. "What the *fuck* are you doing?!" Fagan nearly shrieked. Scully watched Mae's face. It was as though Mae were wearing a wax mask. No color. No expression. "I'm sorry, John," Mae said softly and raised the gun again. She fired. Scully flinched at the muffled sound, looked down at Fagan and his head fell back, a hole in the center of his forehead, a blossom of blood and brain on the wall and floor behind him. Scully heaved in breaths, hyperventilating. The strain was too much for her already taxed reserves and her head slumped back to the floor. She kept her eyes on Mae, though, who was still standing over Fagan, the gun still raised, as though she were frozen in the moment, unable to move outside of it. Scully made a small sound in her throat, the beginnings of a sob. The tears did come now, welling quickly and racing down her face. The sound seemed to snap Mae out of wherever she was. She turned her head slowly towards Scully, looked down at her. Their eyes locked. Mae was crying, as well now. She put up a hand to cover her face for a few seconds, then covered her mouth. Then she finally moved, pocketing the pistol and kneeling down beside Scully. "Katherine?" Mae said softly, her hand touching the rapidly swelling side of her face. "Dear God..." Scully closed her eyes, a sob lurching her. Mae got her fingers underneath the corner of the tape across her mouth, worked it up gently, slowly, so as not tear at her skin. When she had it off, Scully gasped for breath. "Oh God..." Scully said, her voice weak, raspy, as though she had been screaming for hours. "Shh...it's all right," Mae said quickly. "Let me find the keys to the cuffs. Hold on...just hold on..." ********** RICHMOND INTERNATIONAL AIRPORT 10:47 a.m. Mulder stood with his back against the column outside Gate 22, watching the last of the passengers trickle onto the 11:00 a.m flight bound for Boston. He checked his watch for the third time in as many minutes, jammed his hand deep into the pockets of his leather jacket. In his other hand, his own ticket for the flight, the boarding pass flapped out, ready to be taken and torn by the attendants guarding the gate, all of whom had been watching him from time to time as he stood there, waiting. Finally one of them, a young African-American woman in a crisp uniform, came forward. "Sir, is your ticket for this flight?" she asked gently, standing a few feet away from him. "Yeah," he replied, his anxiety making his reply terse. "Yeah, it is." "Well, we're getting ready to close the doors. If you're going to board, you need to do it now. We can't reopen the doors once we close them." She looked down at the suitcases at his feet. "And those are too large to bring on board as carry-ons. We'll have to check them for you." He looked down at both his bags. He'd kept them with him in case Scully didn't show for the flight. He closed his eyes, cursing to himself. He'd looked at every person who had boarded that plane. Scully was not among them. He reached down to stuff the ticket in the side pocket of the smallest bag, grabbed both suitcases by the handles, lifted them, faced her. "No, thank you," he said flatly. "I won't be getting on after all." She nodded. "All right, sir," she said, slightly puzzled, and withdrew. He watched her speak into what looked like a CB mouthpiece, heard her tell another attendant on the plane to close the doors. He looked down, shaking his head, hoisting the bags up as he turned and started the long walk back to the front of the airport. If she was going to try to get on the plane, he would see her come through this way. But he knew she wasn't coming. Something had happened. He was sure of it now. And he was going to Mae Curran's apartment whether Padden liked it or not. Surely there would be some clue as to what had happened to her there. With that thought in mind, he stepped onto the escalator, pushed past several people as he kept walking down the moving stairs to quicken his pace. *********** 2233 GRACE STREET 10:54 a.m. "Okay, hang on, just hang on..." Scully leaned heavily on Mae as they made their way slowly down the steps to the apartment. Scully's head rested against Mae's shoulder, her eyes down on her feet as though she could will them to stay under her with her gaze. "Just a few more," Mae was saying. "Stay with me now." Scully took the last few steps too quickly, Mae holding her up as she nearly fell. The concussion was bad, she thought, though her thinking was strangely detached, her mind seemingly far away from her body. She held still while Mae opened the door, urged Scully through it. "Four more," Mae said, and Scully negotiated them a bit better than the more narrow ones going up to the apartment. Then she found herself standing on the sidewalk, Mae's arm still tight around her waist. The collar of her black coat was turned up, but the chill of the January wind made her shiver instantly. She was too close to shock for it to be otherwise. She looked at Mae's truck on the corner, small puffs of vapor coming from it as it idylled in the cold. "Don't let..." she began softly, swallowing hard against the bruises coming up on her throat. "Don't let Sean see me like this." "He won't, Dana," Mae said patiently. "We've talked about this...he's not going to see you." Scully had told Mae, haltingly, who she was while Mae had steadied her in the shower, a shower that Scully had insisted on taking despite Mae's vehement assertions that they had to go right away. "So what do I call you then?" Mae had asked tersely, her bare arms wet as helped Scully wash the huge smear of Fagan's blood off her shoulder. Scully could hear the hurt in Mae's voice and was sorry for it. She turned her face away from the spray of water, looked back at her. "My name is Dana Scully," she said softly. "And I'm sorry to have lied to you all this time about who I am." "You were just doing your job," Mae had said quickly, helping her turn around so she could rinse. "I know all about doing your job." Scully met her eyes, though the vertigo was threatening to overwhelm her again. "My friendship with you...wasn't part of my job," she said quietly. Mae held her gaze for a few seconds. Finally, she had nodded. "We've got to hurry," she'd said then, brushing the subject away. Now they made their way slowly down the street. The glass window of the back of the truck's cap was open, the tailgate down. When they reached the back of the truck, Mae helped Scully sit down on the tailgate. She glanced inside the dim enclosure. Sean was standing up on the front seat, peering through the back window into the truck bed. "Sean, sit down!" Mae called. "Dr. Black's just not feeling well and is going to have a little rest in the back. Now sit down." He hesitated, but did as he was told. Inside the truck bed, Mae had made a makeshift pallett of blankets off both their beds, their suitcases all pushed up against the back of the truck's cab. Scully began to shift slowly backward, her head throbbing with the exertion. "Let me help you," Mae said, and climbed in, took Scully under the arms and hauled her back. Scully imagined she was trying to be as gentle as possible, but in the interest of speed she was a bit rough. Scully's head rolled against her shoulder as Mae pulled her, settled her down on the blankets and pillows. "It's cold back here, but at least you can lie down," Mae said. "I just wish we'd had time to dry your hair so you wouldn't be so cold." Scully nodded. "I'll be fine," she said softly. "Don't worry about me. Just get us out of here." "All right," Mae said softly. "You knock on the window if you need anything." With that, she scrambled out of the back of the truck, slammed the tailgate up and the cap flap down and disappeared from sight. Scully lay in the near-dark, pulled the blankets up closer against her chin, her teeth chattering. She felt the truck begin to move as Mae pulled out, driving fast. ********* 11:24 a.m. Mulder looked up the steep stairs to the second story landing at the door to Mae Curran's apartment, reached beneath his jacket and pulled out his gun. Then he quietly went up the stairs, stood before the door. He put his hand on it, leaned in, listening. There wasn't a sound from the apartment. No television, nothing. He reached down, tried the knob. It turned and the door opened a crack. Pushing his face in first to glance around, the gun following right behind, he looked around the living room of the apartment. Nothing seemed out of place. Until he saw the spot of blood on the floor, the faint streak of it leading toward the hallway. He stepped in quickly now. "Hello?" he called, every muscle in his body tense. He could feel sweat beading his brow, though it was very chilly in the apartment. He stared down at the blood spot again, edged his way around it as he walked slowly, soundlessly, through the living room to the corridor beyond. He checked the first bedroom. Nothing in there, just some clothes and things thrown around, the bed stripped, the dresser drawers open and empty. It looked like somebody had left in a big hurry, he thought. He returned to the corridor. It was like following a trail of breadcrumbs, though it was smears and droplets of blood. He stopped at the bathroom, his gun still drawn and out before him. He looked around it, as well. The shower curtain was wet. There was water on the floor. Someone had just taken a shower, he realized. Then his eyes caught sight of something on the floor. Scully's white robe. He'd know it anywhere. He knelt, picked it up, studied the folds of it. The back of it was stained with blood, the shoulder, the arm. "Shit," he whispered. He stood again and went back into the hallway. The trail of blood led to the back bedroom. He swallowed hard, his mouth suddenly dry as he contemplated what he might find. He closed his eyes against the images coming into his mind. This could be it, he realized. He could walk into that room and find her body just like that. His breathing picked up a couple more notches as the thought went through his mind. His heart was racing. Stepping carefully around the blood, he went to the bedroom, peaked around the door. His gaze fell on John Fagan's body between the two windows. He was lying in a huge pool of blood that had run in small streams across the floor. Swallowing again, licking his dry lips, Mulder entered the room, went to Fagan's body. He holstered his gun as he saw the hole in the man's head. It was the size of a grape. A wound on his face, too, he noted. And in the chest. Then the shot through the head, execution style. He tried to piece together what happened, his mind turning over the evidence of the crime scene he'd gathered so far. He struggled to remain calm while he did it. There'd been some sort of struggle, he realized. Most likely between Fagan and Scully. It was Scully who had wounded Fagan's face, he decided, and it was that wound that had spread the drops of blood all over the floor. But someone else had done the shooting. He knew this for several reasons. First, he knew that Scully didn't have her gun with her. Second, the 9mm handgun that was laying against the wall was the wrong size bullet to have made a hole that size in Fagan's forehead. And third, Scully would never simply execute someone. The shot in the chest, maybe, but not the one in the head. Mae had been here, he decided. It was the only thing that made any sense. He went to the closet quickly, threw the door open. It was empty. He looked around the room, still breathing hard. Nothing to show that Scully had even been here at all. Except.... His gaze fell on the night table, the silly snowglobe he'd given her still resting there beside her alarm clock. He went to it, picked it up, gave it a shake absently. As he watched the snow fall inside the plastic globe, he tried to quell his anxiety, his thoughts racing along with his heart. Mae had Scully, he decided. She'd killed Fagan. But why? Perhaps they argued over her and the shots ensued? Or had Mae done it to save her? Either way, he knew they were together -- it was just a question of whether Scully was a passenger or a hostage. He would go to the Grey Mouse, see if anyone had seen Mae there. That was as good a place as any to start. Pocketing the snowglobe, he stepped carefully out of the bedroom, headed out the hallway and back out into the street. ************ J&J WAREHOUSE THE BANKS OF THE JAMES RIVER 11:33 a.m. Owen Curran sat perfectly still on a crate outside the warehouse. Even the ash of his cigarette had grown long with his stillness, a thin trail of smoke coming up and drifting in front of his face. His eyes were on the road along the river. Every now and again he blinked. Otherwise, he was stone. His emotions had shifted in the past half hour from mild anger and annoyance to anxiety and something with the metal taste of rage. John should have been here an hour ago. Forty-five minutes at the outside. He knew they were on a tight time schedule, and knew better than to keep Owen waiting this long. Something had happened to him, Owen decided, the ash of his cigarette finally falling as he glanced down at his watch without moving anything but his eyes. Katherine -- the FBI agent, whoever she was -- must have found a way to get away from him, disable him, something. Perhaps she'd known they were on to her and she'd had backup, agents with her in the apartment and John had been arrested. He doubted that. The death of Flaherty would clue the Feds into the fact that he knew something, but he didn't think they could get to Katherine before Fagan had. There were footsteps behind him on the rocky ground, coming closer. He leaned up on the crate, took a drag on the waning cigarette, did not turn. "Owen?" the man -- Peter -- said softly. "Begging your pardon, but I don't think we can wait any longer for John. We're cutting it with only an hour to spare as it is now, and if there's any traffic..." Owen flicked the cigarette down on the ground, rubbed his hands on his thighs to warm them up, then stood, facing Peter and the other three men who were milling around the truck restlessly. "Aye," he said, his voice devoid of emotion. He held it in like a kettle. He nodded toward the truck. "You and Conail go on and get in the truck, check that you've got everything you need and that it's ready. Send Timmy to the car. I'm going to make a quick call and then we'll be on our way." "All right, Owen," Peter said, and walked away. Owen dug in his coat pocket, pulled out the cell phone he rarely used but that John had insisted he have so the two of them could be in contact. He punched the talk button awkwardly, held it up to his ear to hear the tone for a second. Then he began to slowly dial John's cell phone number. He'd been reluctant to call him before now, afraid of interrupting what he was he doing. But that time had passed. After 10 rings a voicemail picked up: "The customer you are trying to reach is unavailable..." He hung up quickly, his anxiety rising another notch. He dialed again. His own number at the apartment. He'd get to Mae, put her on the trail of what had happened to John. It rang. He waited. Nobody there. His face reddened slightly as he hung up the phone again. He dialed a little more quickly this time, his hand shaking slightly as emotion welled in him. Mae's number this time. Behind him, the truck rumbled to life. Just behind that, his own car started up. Ignoring them for the moment, the sense of urgency that the sounds fostered in him, he let the phone ring again. Five, then ten times. Fifteen. His jaw was a block of iron, his teeth clenched as he hung up the phone and stuffed it into his pocket roughly. His breath blew a quick warm cloud into the frigid air as he exhaled, frustrated and -- almost -- afraid. He looked out over the river, seeking solace, the rapids blown back over the rocks like soft white hair. He didn't know what it all meant. But he knew something was terribly wrong. Turning back toward the truck and car, he looked at the men there, waiting for him, watching him. They were good men, he decided. They were up to the job, and they were all that he needed. He would have to believe that. He looked up at the sky, tension overtaking him. They were out of time. He turned and walked quickly towards the car, got in and they pulled away, the car leading the truck up the narrow road, through the city, and onto the interstate, blending in seamlessly with the traffic heading north. ********** THE EMBASSY OF IRELAND 2234 MASSACHUSETTS AVENUE, NW WASHINGTON D.C. 2:20 p.m. Walter Skinner leaned forward anxiously in the front seat of his car as he heard the rhythmic coughing of a helicopter going overhead. He searched for the source of the sound, saw the bright white and orange of a private helicopter streak by, and scowled. It wasn't the chopper he was expecting -- a FBI chopper he'd ordered out of Quantico to survey the area around Embassy Row. He checked his watch, cursed under his breath in frustration. He needed that helicopter here *now*. This thing was so thrown together, he thought bitterly, shaking his head. It was a miracle he'd even managed to get the resources he had on such short notice. And he wouldn't have had to even do that if Padden wasn't such an intractable bastard. Granger had called him that morning after a conversation with Mulder in his motel. Briefly, and breathlessly, Granger had told Skinner about Mulder's theory. Skinner had agreed to tell Padden, despite the fact that he himself had doubts about the leap that Mulder was making with all this. He still found it hard to believe that Curran, a man who'd spent his entire life fighting for the Irish Cause, would turn on his own people. He hadn't spoken of those doubts to Padden, however. Still, Padden had immediately dismissed the theory, calling it "unfounded." That had pissed Skinner off. Over the years, despite their differences, Skinner had grown to trust most of Mulder's instincts (at least when the case didn't involve a ghost crawling up someone's ass, or aliens landing in Times Square, crap like that). Mulder had been right too many times for Skinner not to trust them. So to see those instincts dismissed so out of hand made Skinner strangely protective of his agent. And he knew 90% of the reason Padden was sloughing it all off so easily was *because* it had come from Mulder. "What is he still doing working on this case?" Padden had demanded. "I wanted him out of here." "He's taking some personal time," Skinner had replied softly. "He's not acting in any official capacity on this case anymore." "‘Official capacity' is a loose term when applied to Agent Mulder, Mr. Skinner," Padden had replied gruffly, staring at him over the rims of his reading glasses. You've got me there, Skinner had thought wryly, but didn't say it aloud. He'd merely reiterated Mulder's reasons for this theory about the bombing, calmly, seriously. After some more argument, which Padden had only half-heartedly participated in, he had agreed to send part of the task force of agents, including a CIA Bomb Squad, to the *British* Embassy, in case the bombing was indeed today. But he refused to believe the Irish Embassy would be the target, calling the theory that Curran would attack the Irish "rubbish." Not even Flaherty's death would convince him that it might be true, though Skinner had tried that angle as well. Padden brushed that off with a few words about Flaherty's dealing with other splinter groups, and left it at that. Skinner had walked out of the hotel suite with three feelings. The first was the beginnings of a killer headache, which wasn't uncommon when he dealt with Mulder. The second was irritation and anger at Padden for being so clearly biased against anything Mulder would say. And the third was an itch to get on the horn with Quantico and *act.* Just in case Mulder was right. Mulder had still seemed sure of himself when Skinner had talked to him earlier in the day, while Skinner and Granger were driving to D.C. Mulder had called, told him about Scully not showing for the plane, about what he'd found at the apartment. "Goddamnit, Mulder, you went to the apartment?" Skinner spat, and Granger had tried to look innocent beside him. Skinner glared at him. "Mae's got her, I'm sure of it," Mulder had replied, ignoring the question. "And since she hasn't called me yet, I'm going to assume that Mae's *keeping* her from calling." "Yeah, that would follow," Skinner said after a beat, regret in his voice. "What are you doing now?" "Looking around the city for her. Driving around. I've gone to the Grey Mouse, asked about Mae. Not surprisingly, nobody answered me." Skinner considered for a few seconds. But only a few. He knew what he had to do. He took in a deep breath, resigning himself to it. "I'm going to pull all the FBI I can off the task force, have them start looking for Mae and Scully. I agree with you that Fagan's body and the blood on the robe is enough to indicate she's in trouble. I'll have them put the known Path members under active surveillance, see if Mae turns up at any of their apartments." Beside him, Granger looked over, surprised, then out the window. He was shaking his head slightly. Skinner sympathized. He was seeing his *own* career heading for the drain, too. "So you're not going to tell Padden at all," Mulder said. "No," Skinner replied. "I'm going to act on my own on this. I don't think Padden will risk blowing the entire operation for her safety." He hated the words, but they were the truth and he knew it. Mulder had grown angry with that, but Skinner had then told him to try and stay calm, to continue looking as best he could. He knew Mulder had to feel like he was doing *something* toward finding her. As soon as they hung up, Skinner had immediately called down to Richmond and put the search for his missing agent on. Now, here in the car outside the embassy, he sighed, frustrated and worried about Scully, about the risk he was taking with his career with all this. And he was tense about the stakeout. For now, he had to forget about Scully and concentrate on what he was doing in the here and now. If anyone could find her it was Mulder, and Skinner knew he had to leave him to that task. Another rumbling in the sky, this one deeper, more resonant, and Skinner leaned forward again, saw the familiar shape of a white FBI surveillance helicopter chug by overhead. His walkie-talkie burst into static for an instant, then: "This is Chopper zero-one-niner calling AD Skinner," a voice called from the small speaker. Skinner picked up the radio and depressed the "talk" bar. "This is Skinner, go ahead." "Sorry we're late, sir," came the reply. "The President's helicopter was up and about and the air had to be cleared. We're starting our surveillance of the area now. What are we looking for?" Just then, Granger jogged up to the car, climbed into the passenger seat, closed the door behind him. He nodded to Skinner. "The building's cleared," he said, out of breath. "We did it as quietly as possible." Skinner nodded his approval, depressed the "talk" bar again. "The suspected target is the Embassy of Ireland, the brown and white building just beneath you," he called into the speaker, eyeing the copter, which was hovering just overhead. Skinner's car was across the wide street, parked on the corner. "The building's been evacuated, so we're looking for any sign of activity, front or back. Also, be on the lookout for any sort of truck coming towards the building." "Affirmative. We'll circle and try not to look conspicuous. We'll report back if we see anything." "Skinner out," he replied, and dropped the radio on the seat between them. The chopper overhead veered to the left and disappeared from Skinner's sight beyond the tops of the buildings. Now he turned his attention to Granger. "All locked up?" he asked, and Granger nodded, looking across the street at the entrance to the embassy. The large iron gates were closed, barring access to the circular drive in front of the structure. The guards who were usually there at the front of the building were gone. "Everyone's at a safe distance," Granger replied. "We evacuated the buildings on either side, as well, just in case." Skinner studied the tactical layout in a few glances. He could see the bomb squad truck -- camouflaged as a plain white delivery truck -- waiting on the far corner. A unmarked dark van filled with FBI Counterterrorism was also parked beside the embassy, just beside one of the high gates. Peppered around the street in front (and all around the back, too, he knew) were dark sedans filled with agents, all FBI. Granger was the only non-FBI personnel on the stakeout. The rest of Padden's interagency task force, or at least a part of it, was 10 blocks up Massachusetts Avenue, covering the British's ass. He checked the street for anything unusual. Just a few pedestrians, mostly men and woman in suits, the occasional touristy looking family. On the next block was a park that took up the entire block -- large trees, people on benches, others milling about. Everything looked fine. Normal. He checked his watch again. 2:35. If Curran was going to show at three as Mulder had predicted, he would be doing it soon. Christ, you'd better be right about this, Mulder, Skinner thought, grimacing a bit. The embarrassment he would feel at having scrambled so much manpower for this, should nothing happen, was already beginning to rise in him. Not to mention his anticipation of the chewing out he would get from his superiors... He sighed, pushed the thought away. He'd committed himself now and there was nothing to be done about it. With that thought in mind, he reached into the backseat of the car, pulled out two kevlar vests, an FBI jacket. He handed the jacket and one of the vests to Granger, began unzipping his own jacket so that he could put the bulky vest on himself. "Here," he grunted as Granger took the vest. "Put those on." Skinner watched the young man fumble with the vest awkwardly. The gravity of the situation was just seeming to dawn on him. Skinner understood why -- for Granger, this had been just one big puzzle to solve, something to be done behind a desk, a computer screen. Now it was something different. It was real. He hoped Granger could take the pressure, should things really get out of hand. He didn't need to be worrying about Granger and dealing with Curran and his cohorts at the same time. Granger seemed to get ahold of himself suddenly, began undressing quickly, pulling the vest on over his workshirt. Then he slipped into the blue jacket, "FBI" emblazoned in yellow letters across the back. "Looks like I joined the wrong agency," Granger said, laughing nervously. "I could have told you that already," Skinner quipped back, trying to lighten the mood. A burst of static and a voice filled the car's cabin again: "Chopper zero-one-niner to AD Skinner." Skinner snatched up the radio. "Skinner here," he said tightly. "We've got a rental truck with a dark sedan leading it that we've been watching coming your way for a few blocks. The sedan just pulled off and is circling the block, going around your back. The truck is heading right for you, four blocks north, driving pretty fast. It's a U-Haul." Skinner saw Granger tense up beside him. "Agents Nelson, Maloy, do you see it?" Skinner called. All of the agents had radios like this one, all on the same frequency. "Not yet," came the reply after a puff of static. "We don't see...wait, here it comes. Yes, big U-Haul. I'd say a 26 footer. Two passengers, both male. The truck's got Virginia plates, though that could mean nothing, of course. It is in a bit of a hurry." "Fall in behind it as inconspicuously as you can," Skinner said tersely. "Agents Parkins, Fawkes, let me know when it passes you. Markum and Dooley, see if you can find that sedan. Chopper, what street is it on? Can you still see it?" "Still parallelling on Connecticut...slowing now...it's turning on the cross street on the other side of the embassy, slowing again...it's parked now, the right side of the street, within view of the building." "Parkins here...the truck just passed us." Skinner felt his heart rate beginning to pick up. Beside him, Granger looked down the street, his hands in fists on his legs. His foot was tapping absently. "Fall in behind it, as well, Parkins," Skinner said. "Counterterrorism Unit One, get ready. We'll let the truck get to the gate, if that's even where it's going, then I want you all out of the van." "We're ready, Mr. Skinner," came the reply of another, deeper voice. They waited now, both he and Granger staring down the street. Skinner turned and looked ahead of them, aware of the car on the next cross street up. He wondered if Curran was in the car, just in sight of the building so that his men could make it to him and they could all get away before the bomb went off. "There it is," Granger said, sitting up straighter. Skinner turned, saw the nose of the U-Haul appear at the very visible edge of the street, coming closer. Behind it by several dozen feet each, he saw the two cars following. In a few seconds he could hear the huge diesel engine groaning its way toward him. He held his breath as it drew closer, waiting to see if it would begin to slow. It did. Moved over to the right hand lane, approaching the gate and the van of agents just beside it. The two FBI cars passed it as it stopped in front of the gate so as not to arouse the driver's suspicions. The van stopped at the gate. "They're home," Skinner said softly into the radio. "Everyone out on three. One..." Granger reached beneath his jacket to his shoulder holster, pulled out his gun, holding it below the window. Skinner did the same as he spoke. "Two..." He reached for the door handle. Granger did as well. "Three." The back of the van opened, agents in black riot gear spilling from the back, assault rifles drawn. Granger and Skinner hit the ground running, racing from the car, dodging a car whose horn screamed as he and Granger tore across the street. "FBI! OUT OF THE TRUCK!" the lead CT man was screaming, his weapon raised towards the driver's window of the truck. The driver and passenger dropped in their seats, disappearing from view. "Get your asses back up here!" the same man shouted. "OUT! OUT!" The ten men behind him froze, their weapons all trained on the cab as Granger and Skinner approached, their guns also drawn. What happened next happened so quickly no one had time to move. The driver's door swung open and the air was filled with the sounds of incredibly rapid gun fire, blasting from the barrel of an assault rifle in a star-shaped strobe of fire. The passenger had also stood and began spraying the assembled men with gunfire, as well, shattering the windshield in the interest of getting a clear shot. Everyone who didn't fall right away from being hit dropped and rolled, or retreated back to the van, firing back. Bullets ricocheted off the door and hood. The two gunmen ducked down again, avoiding the shots, then rose to fire again, sending the agents scrambling away. Granger and Skinner had hit the ground at the first sound of gunfire. Raising his head to look at the four or five men dropped in front of the truck, Skinner looked for Granger, who was lying on his stomach, his gun in his hand beside his face, his other arm over his head. Skinner couldn't tell if he was hit or not. Steeling himself, he scrambled to his feet, went to Granger, hauled him up by the back of the vest and pulled him back toward the car. The gunmen must have caught sight of their movement because the ground around Skinner was suddenly popping with bullets. He ran serpentine, pushing Granger in front of him, reached the car. Throwing Granger over the hood unceremoniously, he leapt after him, bullets tearing into the side of the car as both men landed in a heap on the other side of the hood. "What kind of fucking gun is that?!" Granger shrieked above the noise, leaning against the tire. The agents at the van and the men in the truck were still exchanging gunfire. There was the sound of screaming, cars squealing to a halt. Someone bolted past both of them on the sidewalk, covering his head. "H & Ks!" Skinner shouted back. "G36 assault rifles!" He chanced a look over the hood, looking at the exchange. "And just what we need is a firefight when there's probably enough explosives in that truck to blow a hole to fucking China!" The bomb squad was coming out of the back of their truck now as reinforcement -- they weren't supposed to come out until they were needed to diffuse the bomb, but someone had clearly decided they were needed now. They began winding a path across the street at a fast run, getting in behind the truck. Skinner got off a few of shots towards the cab in a vain attempt to cover them, and had to duck down as the car was once again riddled with bullets in answer. The car's windows shattered, raining bits of glass down on him like sequins. "Shit!" he swore, coming back up. Granger came up with him this time, his gun out in front of him. The CT team members were firing again, the bullets hitting the inside of the cab now as the two gunmen ducked down, protected by the front of the truck and its huge engine. Then, from the left, he heard the sound of tires squealing and jerked his head in that direction. A black car was coming fast down the street. Seeing it, the men in the truck leapt from the cab, one firing one way, one firing the other to keep the teams pinned down. Skinner and Granger ducked down to stay out of sight for a moment, expecting the car to stop to pick the men up. They glanced at each other, nodded, understanding the plan of action. They would fire when the car stopped. But Skinner didn't hear the sounds of tires squealing, braking, nothing. Only one of the men screaming at the passing car as it whizzed by. Skinner stood quickly, saw one man in the car, got a good look at him. It was Curran, his eyes forward. He didn't even glance at the men who'd left their cover for rescue. Then, someone got a clear shot -- a burst of gunfire from behind the truck and one of the gunmen fell, his rifle clattering on the pavement. The other man was desperately running after the car, looked back at his companion, who lay unmoving on the street, his eyes wide and afraid. Skinner stood, taking advantage of this distraction, and dropped him with a shot to the chest. The man tumbled in a heap on his back in the middle of the street. "GO! GO!" someone was yelling, and Skinner recognized it immediately as the Bomb Squad leader, his team flying towards the back of the truck, a huge pipe cutter in the first man's hands. He immediately began working on the lock. "Come on," Skinner said to Granger, and they ran around the car, across the street to the two gunmen, kicking the weapons away from them. Skinner knelt next to one of them, Granger the other. Skinner put a hand on the man's throat, checking for a pulse. Nothing. He turned to Granger, who looked up at him and shook his head, as well. They both holstered their weapons and ran for the truck just as the lock gave beneath the cutters. Skinner didn't need the door to come up to know what was inside the truck -- he could smell the fertilizer and fuel from where he was standing. As the door rolled halfway up, two of the squad members, both encased in kevlar and padding, their faces covered with thick plastic shields, leapt up onto the back of the truck, seeing the detonator set into the side of the truck immediately. Skinner could see the display from where he was standing. 00:04:29... 00:04:28... Shit.... "It's no good!" One of the two men in the truck shouted. "Clear the area! On the double!" There wasn't enough time to attempt to diffuse it. The best they could do was get out of the blast radius. He looked at Granger. The man was standing there, breathing hard, looking around the street, at the buildings, the street, the people huddled on the sidewalk nearby. "Come on!" Skinner called to him as the squad and the CT team scattered back toward their vehicles. He started running back towards his own car, praying that the vehicle would still be in running order. He expected Granger to be following him. He was wrong. Reaching the car, he turned and caught sight of Granger climbing into the cab of the truck. He gaped for a second in disbelief. "GRANGER!" he shouted finally. "What the HELL are you doing?" The other man didn't answer. He got behind the steering wheel and Skinner heard the engine trying to start. It coughed, cut out. Coughed again. Then it rumbled to life. "Get out of there, Granger!" Skinner screamed. Granger had turned the heavy steering wheel, gunned the engine a bit, the nose pointing now away from the gate now. Slowly the truck began to move, heading down the street. The engine groaned in protest from the damage done to it by the gunfire. "Goddammit!" Skinner hissed, ran for the car. The bomb squad and the CT team were in their trucks now, pulling away. He climbed in, tried to start the engine. Like the truck, it wouldn't turn over right away. "Come on! Come ON!" Skinner shouted. He watched the truck lumbering down the street. Where the hell was he going? Skinner thought, panting. Then it came to him. The park. He's headed for the park, he realized. A huge clearing. Deserted now since the gunfire had started. Away from any buildings. Granger reached the open area, aimed the truck at the sidewalk and bumped up onto it. Then he was plowing through the hedges, around a low, heavy looking stone wall that marked the perimeter of the park. Then he was heading off into the clearing. Skinner turned the key one more time, and this time the car reluctantly started. He threw it into gear, did a fast u-turn, heading after the truck. Granger had gotten about 50 feet into the park when the truck suddenly stopped. The driver's door flew open and Granger scrambled down, running for the street. Skinner could see him from where he was, a half a block away. His arms pumping wildly, his legs a blur. He wasn't going to make it to him in time, Skinner thought bitterly. "Get down! Get down!" he wished, his teeth clenched. He kept driving towards the park, though he knew he was endangering himself, as well. He stared at the truck, the driver's door swinging. Time seemed to float for a moment. Then a flash so bright Skinner felt as if he'd been thrown into a fire. His eyes seared with it. An amazing sound, so loud it made his ears scream with pain. It felt for an instant like the air was being pulled out of the car, out of his lungs. His windshield dissolved into bright shards in front of him. He covered his face with his arms, glass ripping through his jacket as his feet crushed the brake pedal down, the car skidding to a halt. Around him, the sound of glass shattering from hundreds of windows around the street from buildings, cars. Fire rained down on him, the axle of the truck slamming down in front of the car, bouncing once with the sound of twisting metal. He had just enough sense to throw himself onto the front seat as it careened over the top of the car, smashing down on the trunk with a crash. Then, just as suddenly as the blast had come, suddenly, things were still around him. Just the sounds of things burning now, sirens. He lifted his head and peered through the gap that had been the front window, trying to shake himself back into full awareness. He felt dazed. Granger... The thought was enough to pull him back to the present. He climbed out of the car, stiff, pained from being jolted around so badly. There were pieces of burning debris all over the street, several cars on fire and jostled around by the curb closest to the park. He looked into the park itself, saw a crater where the truck had been, trees down. The side of the building closest to the park was black, but was still standing. Lumbering painfully towards the sidewalk, he scanned the ground around him. "Granger!" he called. Only the sounds of flames and sirens replied. Someone was running up behind him. Agent Mosely, who'd been watching the back of the building. "AD Skinner!" he called, putting a hand on Skinner's arm. "Are you okay?" Skinner looked down at his arms, saw blood dripping from slashes in the arms of his jacket. He had a gash in his head, too, which he was just now noticing. He pressed his hand against it and looked at the blood uselessly. "Yeah, I'm all right," he said breathlessly. "Help me...help me look for Granger. He was in the park when the truck went up." "All right," Mosely said, and ran ahead, swerving around mounds of debris. Skinner trotted up the sidewalk toward the park. He looked around, heaving in deep breaths. He felt sick. "Sir!" Mosely called from just off to his left. "He's over here!" Skinner turned and went towards Mosely, who was kneeling on the ground behind the dividing wall. About ten feet in front of it was what was left of a small tree. The trunk was snapped off about 10 feet up as though a giant hand had reached down and plucked the top of the tree right off. As he neared, he saw the unmoving form behind the wall. He quickened his pace. Kneeling down across from Mosely, he looked down at Granger. He lay on his side, his arms and legs askew. His face was bloodied and cut, and there was blood dripping from one of his ears. His jacket was torn up, charred. His glasses lay in a twisted, cracked pile in front of his face. "He's alive," Mosely said quickly. "Barely." Skinner breathed out, his hand on the side of Granger's head in relief. His own head was reeling. "He must have gotten behind this wall just in time," Mosely continued, looking up at it. A few stones were missing from the top of it, but it was otherwise intact. Skinner looked up at it, nodded. About 30 police cars were careening down the street, ambulances following them, no doubt alerted by the firefight before the explosion. "Get a paramedic over here right away," Skinner said softly, and sat heavily against the wall. He was suddenly very cold. "I will, sir," Mosely said, steadying Skinner with a hand on his arm again. "Just relax. I'll be right back with someone." Skinner nodded, moving his hand from Granger's head to his shoulder protectively. The man had just done one of the stupidest and bravest things he'd ever seen. "Too much time with Mulder," Skinner said to Granger's still form. Then, despite Granger's dire condition and his own, he began to chuckle softly, punchy and overstressed and going into shock. He covered his mouth to stifle the sound, sitting there amidst the chaos of people running, blackened buildings, and piles of flame. ********** PETRO TRAVEL PLAZA LEBANON, TENNESSEE 10:34 p.m. Mae Curran held Sean's hand as they made their way across the parking lot, which was well-lit and drenched with rain. They stopped for a huge tractor trailer to rumble by, on its way to the crowded diesel pumps on the other side of the huge truck stop. In her other hand, a small cup filled with thin cream of chicken soup, the lid keeping it from spilling as she walked along in the cold rain, leading the sleepy boy beside her. She had taken him in to eat something, had her fifth cup of coffee for the day. They'd been on the road for over eleven hours and it was showing on both of them. "When are we going to stop?" Sean asked from beside her for the umpteenth time. His voice was low and tired. "In a few more hours we'll stop, Sean. Just a few more." She didn't mind answering that question. It was the one about when they were going to see Owen that she found too difficult to answer. They reached the truck, parked beneath a light in the parking lot so that the interior of the truckbed would be slightly lit for her. She'd looked in on Scully through the side window of the cap when they stopped, saw her curled on her side, lying still, her eyes closed. She hoped she'd been asleep, though she hadn't been all day as Mae had stopped periodically for gas and bathroom breaks for them all. She hadn't wanted to disturb her if she was sleeping at last. She placed the soup on the roof of the truck, fumbled with her keys, unlocked the passenger door and helped Sean crawl into the seat. On one of their earlier stops, she'd pulled out a blanket from the back that Scully wasn't using and put it in the front seat for Sean. She pulled it over him as he slumped over onto his side, already half asleep. "I'm going to check on Dr. Black again, Sean," she said softly, rubbing his leg gently. "I'll be right back and we'll get on our way." He didn't respond, and she quietly shut the door. Going around to the back of the truck with the soup, she unlocked the cap's window, pulled it up, then pushed the tailgate down. Moving carefully, she climbed up into the truck, edging closer to where Scully lay beneath the covers. Scully hadn't moved since Mae had gone into the restaurant with Sean. "Dana?" she said softly, reaching out to touch her shoulder. As she did so, she realized that Scully was breathing heavily, her chest rising and falling visibly, quickly, beneath the covers. Scully's eyes opened immediately, though they rolled back a bit as she looked up at Mae. She hadn't been asleep after all, Mae realized with a grimace. The drug must have been keeping her from sleeping still, despite her injuries, her fatigue. She was lying on the side of her face that wasn't hurt, and the side facing Mae was darkly bruised and extremely swollen. Her left eye barely opened at all. Both of her eyes were going black, the left slightly darker than the right. "Mae?" she breathed. "Yes, it's Mae. I've got soup here for you. I want you to try to eat some of it." She pushed Scully's mussed hair behind her ear gently. She noted that though her friend's face was deathly pale, her cheeks were flushed bright red and her brow was shining with sweat, despite the cold in the truckbed. Scully shook her head slightly. "Sick...head hurts." "You haven't eaten all day. You need to eat something." Mae's voice was firm, but tender. "Come on...help me now." She took the lid off the soup, then leaned down, pushed Scully onto her back slowly. Scully moaned softly in pain at the movement. Mae got an arm under her, tilted her head up slightly, carefully put the cup to her lips. Scully swallowed a little bit of the lukewarm, pale liquid. A bit more. Then she turned her face away. "No," she whispered, her hand coming up from beneath the covers to push the cup away. Her movements were weak. Sluggish. Mae pursed her lips in frustration, let her head back down on the pillow and set the cup down, replacing the lid. Beside her, Scully said something under her breath, her brows furrowed in pain, her hand on the side of her head. "What's that now?" Mae asked, leaning over her again. It had sounded like "mulder," though she couldn't make sense of the word. She fussed with the covers, noticing that Scully was trembling all over, as though she were freezing. Scully didn't answer her, closed her eyes, turned her face away, mumbling something that again Mae couldn't make out. It was as though she were speaking to someone just beside her. "What did you say to me just then?" Mae asked again softly. She put a hand on Scully's hot cheek, turned her face toward her. Scully's eyes opened, lolled a bit. Once she'd focussed on Mae's face, she seemed more lucid, though her breathing was still fast, shallow. "I want you to call Mulder," she said weakly, but at least she had regained her voice for the moment. "Who's Mulder?" Mae shook her head in confusion. "He's my...partner," Scully replied, and her brows squinted down harder. Speaking seemed to make the pain she was feeling worse, but she pressed on, her voice quiet but urgent. "He'll be looking for me. And I need...I need him here..." Her voice trailed off to a whisper with the last of it, and Mae saw the tears she'd been expecting for some time, since she'd found Scully on the floor in her apartment, shine in her friend's eyes. They did not fall, however. Though Scully's words tugged at her, Mae shook her head reluctantly. "Dana, I can't have anyone knowing where we are. Owen--" "Mulder won't...he won't tell anyone," Scully interrupted, her hand going from her head to rest heavily on Mae's forearm. "He'll come by himself. I promise. Tell him where I am. Please." Mae considered for a moment as Scully closed her eyes again, her head turning slowly on the pillow again, as though she could shake the pain away. Rain tapped lightly on the roof of the cap. Mae's first instinct was to ignore Scully's request, keep driving, keep putting distance between them and Owen. But then she thought of her friend, how alone she must feel. How much she was suffering, how much she had suffered already. It seemed like getting her someone she knew to tend to her was the least she could do for her. Seeing as how she couldn't take her to a hospital, have her properly cared for. Plus, they were going to have to separate at some point -- both of them together made for too conspicuous a target. And Scully was in no condition to take care of herself, nor was she likely to be for some time. Calling someone made the most sense, she decided. As long as that someone could be trusted not to bring the Feds or Owen down on them. The fact that it was Scully's FBI partner she was asking for didn't exactly fill her with confidence that that wouldn't happen... "Wouldn't you rather have someone else?" Mae tried. "Someone who's family?" Scully didn't open her eyes as she spoke, though a small smile touched her through the pain she was in. "He is..." she whispered, trailing off as she grew still except for her breathing, exhausted but, Mae knew, not asleep. She sighed, grasped Scully's hand and tucked her limp arm back under the covers. She could see her breath in the small space they occupied and shivered. They were going to have to stop soon anyway, she realized. Scully was getting worse, not better, as time wore on. She didn't know if it was her injuries or the drug, or both. For starters, the least she do was get Scully out of this cold. "All right then," she said at last. ********* POE'S TAVERN RICHMOND, VIRGINIA 11:02 p.m. Mulder stood at the corner of the bar among a knot of other patrons, all of them staring up at the television behind the bar. They were all silent, listening to the news report. "...for more on this, we go to James Castle, who is in Washington at the site of today's terrorist bombing." The picture shifted to another reporter, this one standing outside a line of police tape, firetrucks' red sirens strobing through the darkness around him. "Thank you, Gene," the reporter said, pressing the pickup into his ear a bit more against the noise at the site. "The FBI is not releasing much information about this attack at this point, but we have managed to find out a few details for you." Mulder listened to the report about the intended target of the bombing, the Irish Embassy, which he could see just behind the man on the screen. The reporter recapped the events as he knew them at this point -- a truck bomb that was parked in front of the closed gate, the FBI agents who were waiting there already, tipped to the attack. The massive shootout that ensued between the passengers of the truck and the agents. Mulder took no pleasure in being right about what Curran had been up to. He could see the battered forms of cars in the background, charred black. The curtains in the windows of all the buildings in sight were flapping out the windows in the night breeze, the panes shattered from the force of the explosion. "Jesus Christ," someone said from the group Mulder stood within. "Can you believe this?" "No shit," someone agreed. Someone shushed them and Mulder returned his attention to the television. The reporter looked down at his pad again. "The other news I can report to you at this hour is the number of casualties. There are 12 confirmed dead: three civilians, six federal agents and three others, two of whom are the gunmen who drove the truck carrying the bomb. A third body was found shot on a cross street, an apparent execution. There are no details on the two assailants, and no arrests have been made. The names of the dead have yet to be released, pending notification of the victims' families." He got away, Mulder thought bitterly, his jaw tightening. Curran got away. There was no way he would have carried out the bombing himself, so he wouldn't be one of the gunmen. And that third body...probably one of Curran's companions, as well. Someone else who got in Curran's way. Dammit.... "There are also 27 injured, 9 of them critically. Several people from nearby buildings were caught by breaking glass when the bomb went off. Also among the injured is the as-yet-unidentified federal agent who drove the truck into a nearby park, moving it away from any buildings before it exploded and thus averting further destruction and loss of life. As it stands, only three buildings sustained major damage, but none were destroyed by the blast, a fact that law enforcement officials here at the scene find miraculous, given the size of the bomb." Mulder had already tried both Granger and Skinner's cell phones after he heard about the attack on the radio while he was driving around the city. There was no answer on either one of them. And now to find out there were six agents down... He ran a hand through his hair in frustration, an all-consuming feeling of worry biting at him as he looked down at the floor, his eyes clenching closed with it. It was official. Everyone he knew that had to do with this case was missing now. Part of him wanted to go to D.C., see what happened to Granger and Skinner himself. But this is where Scully had last been. This was the place to begin looking for her. And as concerned as he was for Granger and Skinner, Scully had to come first. "Hey buddy?" the bartender called to him. "Order's up." Mulder pulled himself out of his frustration and came forward, taking the bag of food he had ordered. That was why he was in the tavern in the first place. He'd yet to eat all day. "$6.75," the bartender said, and Mulder dug for his wallet, paid the man quickly. With one final look toward television screen, he turned and headed for the door. He'd try the Grey Mouse again. Maybe Mae would be there. Yeah, right... Just as he was pushing that cynical thought aside, his cell phone chirped in his pocket. His heart skipped a beat and he bolted for the door and the quiet of the night outside. Once he was standing a few feet from the door, he jammed the talk button. "Mulder," he bit out, holding still. There were a few seconds of silence, as though the person on the other end were not certain what to say. "Mr. Mulder?" came a female voice. Heavily accented. His hands went to fists, squeezing the bag he held tightly. "Where is she?" he asked quickly, angrily. "I guess you know who this is then," Mae replied. She sounded a little put out, probably by his curtness, his tone. He turned toward the parking lot, calming himself. He had to treat this like a hostage negotiation. He had to keep his cool. "I know you have her, Mae," he said more evenly now. "Aye, that I do," she replied. Her tone was unreadable. She didn't sound like she was going to make any threats, he thought, but he couldn't be sure. "Let me talk to her," he said quietly. There was another beat of silence. "You can't talk to her," she said, and now she did sound apologetic. He couldn't tell if it was sincere or not. "She can't come to the phone. She's hurt." Mulder's stomach filled with bricks and plummeted. "How bad?" "I don't have time to go into all this with you now. I want to tell you where we'll be, so you can come. And I need you to come alone. I need your word on that. She said you'd do that." Mulder pulled in a calming breath, though his eyes closed. "All right," he said. "You have my word. Tell me." He could hear a rustling of paper -- a map, no doubt. "I'm heading for Memphis, to a place outside the city called Millington. There's a state park there -- Shelby Forest. When we get there and I find a place for us to stay, I'll call you again to let you know where we are." Tennessee? he thought, stricken. That was hours away. He started for the car. "All right. I'm on my way. When do you think you'll be calling me?" He climbed in, slammed the door, tossing the bag of food on the passenger seat. "We should be there in four or five hours, I think. Give me another hour to find a place to settle." "All right," Mulder replied quietly, starting the engine. He hesitated, forced himself to continue. "Mae, can you give me your word that you won't hurt her?" He had to ask. There was another pause. "I'm not going to hurt her, Mr. Mulder," she said almost sadly. "I've paid a lot for her life as it is. Now come and get her." The line clicked, went dead. Mulder hung up, set the phone carefully beside him on the seat. He'd begun to sweat, fighting down his emotions -- anger at his current state of helplessness, and how far away he was from her, how much of a head start Mae had on him. He would have to trust her, though it went against everything in him to do so. Throwing the car into reverse, he backed out of the parking space, jammed the car into drive and headed out of the parking lot down Main towards the interstate. The radio was playing softly in the background, and he found the input to be too much. He reached over, flicked it off, made his way into the long and starless night. *********** GEORGETOWN UNIVERSITY MEDICAL CENTER WASHINGTON D.C. JANUARY 16 10:03 a.m. Paul Granger awoke to the sound of the telephone ringing by his bedside, opened his eyes onto the sparse furnishings of his hospital room, the outlines of everything washed in his myopia. He licked his dry lips, turned his eyes slowly toward the phone as it continued its shrill ringing. He couldn't turn his head in that direction -- the heavy plastic neckbrace precluded any movement of his head. His arm, casted from the shoulder down and held curved out like a white wing, pointed uselessly toward it, his fingers poking from the end of the cast. He flexed his fingers as he looked at them, groaned as he came fully conscious and his body began to throb like one huge connected bruise. The phone, persistent, continued to ring. Reaching out with his uncasted arm, he fumbled for the call button. When the nurse answered, he asked her to come in and get him the phone. She said she'd be right there. He waited, wiggled his toes slightly outside the cast on his lower right leg, held up above the mattress in a traction sling. It was like taking inventory, making sure everything was still connected and still moved. When he'd thrown himself over the wall the afternoon before, the sound of the explosion roaring behind him, he'd wondered if he would fly apart before he landed. He moved his toes and fingers again slowly, revelling in the simple pleasure of it. Now if he could just get someone to bring his spare glasses, he'd be as content as he could be given his circumstances. The nurse entered, reached for the ringing phone and brought it over to the rolling table perched over his chest. On it sat a cup of room temperature water capped with a bent straw. She set the phone down, looked at him sympathetically. "People should know to let you rest," she said fussily. "You should tell whoever that is that you need to be left alone for a little while." He looked up at her, swallowed painfully. "I will," he croaked, cleared his throat. She checked the drip on his IV and wandered back out of the room as he reached for the receiver. He wondered who it could be. His mother was already in D.C., staying at a nearby hotel to avoid the long commute from Baltimore to see him. Lifting the receiver, he put the phone to his undamaged ear slowly. "Granger." He cleared his throat again. "Good morning," came the reply. "It's about time you got the phone." Granger found himself smiling through the dull pain he was in. "I should have guessed..." he said, his voice hoarse. "Who else would be a big enough asshole to let the phone ring 40 times in a hospital room?" Mulder replied. He was chewing on something. Probably those damn seeds he ate all the time in the car. Mulder's voice was low, soft. Very tired. "How you feeling?" "I'm all right," Granger lied, though it was sound hard to sound casual around a neckbrace. "Bullshit," Mulder replied. "Skinner already told me you look like plaster convention. I hear you did a pretty crazy thing." Granger closed his eyes, swallowed. "Yeah, I don't know what I was thinking," he whispered. "You weren't thinking," Mulder retorted. "But that's not necessarily a bad thing. What you did saved a lot of people's lives. It was the right thing to do. I'm just sorry you're paying for it now." "Skinner was pissed," Granger said hoarsely. "Came in last night in a hospital gown and a pair of slippers and bitched me out. Gave me a lecture about acting on my own, taking unnecessary risks..." "Yeah, I know that one really well. I could dance to it." There was a pause. "Don't worry. You'll get used to it." Granger could hear a smile in Mulder's voice. He realized that in a strange way, he'd just been paid a compliment. It pleased him in a way he couldn't name. "Where are you?" he whispered, letting the moment pass. "Where's Scully?" "I'm in Southwest Succotash, Tennessee," came the reply. "On 40, somewhere west of Nashville. On my way to a little town called Millington. Mae Curran has Scully and that's where she's stopped with her." A pause. "But you aren't supposed to know any of that. Neither you or Skinner." Granger groaned, feigning dismay. "You just *had* to tell me then, didn't you?" he asked, regaining his voice for a moment. "Rule number two, Granger," Mulder replied after a beat. "Never lie to your partner, if you can at all help it." Granger felt that same pleased feeling come over him. He smiled. "All right, fair enough," he said. "I don't know a thing. Is Scully all right?" There was a pause, only the cell phone hiss answering for a moment. "I don't know." Mulder‘s voice was softer now. Granger could hear the worry. "I don't think Mae is going to hurt her, though she's hurt already, apparently." Granger reached for the cup of water, aimed the straw roughly at his mouth, took a swallow to ease his throat. "I'm sorry to hear that about Scully," he said softly. "How has Mae seemed?" He had to admit that the profiler in him was curious about Curran's sister. They knew so little about her, and what they did know wasn't particularly good. "She's hard to get a read on," Mulder said. "I've talked to her twice now -- once last night, and once about 5:30 this morning when she called to tell me where they are. She's been very matter-of-fact with me, not giving anything away. She won't discuss Scully's condition with me over the phone at all. She's cut me off when I've tried to ask." Granger winced. "I'm sorry. I know that's got to be driving you nuts." "Well, I'll know soon enough, I guess," Mulder replied, brushing Granger's concern off. Granger knew it was something Mulder had a hard time accepting from anyone. "She'll be all right," he said, though he had no facts to found the statement on. "She's one of the toughest people I've ever met. She'll be okay." Again, the static answered. "Yeah," Mulder said finally. He didn't sound convinced. Granger knew he wouldn't be until he saw Scully for himself. They sat in a companionable silence for a moment. Granger coughed, his throat irritated from the talking. "You're going to be all right though?" Mulder asked finally. "Yeah. A couple of months out probably. But I'll be okay." His lips curled with a small smile again. "Come visit me in rehab when you two get back to D.C. or something, all right?" "We will," Mulder replied. "I want to hear this whole story--" There was a commotion in the hallway and AD Skinner came quickly into the room and stood beside the bed. He was dressed now, a suit, trench, looking very official except for the huge bandage on his forehead. His arm came up as he saw what Granger was doing. He pointed to the phone with a bandaged hand. "Hang up," he said tensely but quietly. "Hang up right now." Granger looked at him, the command not registering for a second. "Hang up, Granger, " Mulder said immediately, forcefully. "I'll find you. Or you find me. Take care." The line went dead. Granger replaced the receiver, looked at Skinner questioningly. Skinner was a bit out of breath, glancing around as though he were looking for anything out of place. "What--?" Granger began, but Skinner shook his head sharply, cutting him off. Padden and Duncan Hall came into the room, Padden looking at Skinner as he did so. His eyes were flinty as he turned them on Granger. "Where is Agent Mulder?" he asked without prelude. Granger looked up at him, blinked, surprised at the anger in the question. Then his gaze hardened. His face grew expressionless. There was no hesitation when he spoke. "I have no idea." Padden's lips thinned in anger as he looked back and forth from Granger to Skinner. "I'm warning both of you. You're standing in the way of this investigation by keeping your knowledge of Agent Mulder's whereabouts from me. And I'll have your hide for it." Granger ignored the threat as his brows squinted down at the rest of what Padden had said. "You make it sound like Mulder is the one you're investigating," he said softly. "He is," Padden spat back. "John Fagan's body was found in Mae Curran's apartment yesterday afternoon. Shot through the head with a caliber matching Mulder's service weapon. And his fingerprints were found on both the front door and in the room with the body." "What?" Granger asked, aghast, wishing like hell he could sit up. "You're accusing Mulder of murdering Fagan? He couldn't have." He saw Skinner giving him a look. Keep quiet, the look said. Granger heeded it. There was so much that Padden didn't know about Mulder's activities. They were all unauthorized and would only serve to dig the hole that Mulder was in deeper. He'd let Skinner do the talking, let him reveal what he thought was right to reveal. Padden nearly smirked. "AD Skinner has told me about him waiting for Agent Scully at the airport yesterday, which he also wasn't supposed to do, might I add. But that doesn't put it out of the realm of the possibility that he could have killed Fagan. The ME puts the time of death at somewhere between 11 a.m. and noon yesterday. Mulder had plenty of time to get to the apartment to kill him." "That's crazy. Why would Mulder do that?" Granger's voice was cracking again as he spoke. Padden glared at him again. "We know about Mulder looking for Agent Scully yesterday, about AD Skinner's unauthorized use of task force manpower to search for her. My theory is that Mulder went to the apartment looking for Agent Scully when she didn't appear for her flight and confronted Fagan there." "And what if he did?" Skinner replied angrily. "Like I told you earlier this morning -- Mulder had a right to defend himself if that was the case. Which it is NOT." "Then how do you explain those fingerprints? The bullet match? And the fact that Mulder didn't report having found a body to the police?" It was Duncan Hall who spoke, his accent thicker with his anger. Skinner looked at him, sighed. Granger saw the position he was in. He was going to have to give something away here. "Mulder went to Mae Curran's apartment looking for Scully. I know he did that, yes. But Fagan was already dead when he got there. I can promise you that." "Killed by who?" Padden asked. "Agent Scully? She didn't have her weapon with her, or at least she wasn't SUPPOSED to have it with her. Knowing that she works with Mulder, there's no telling what kind of orders she might have broken in this mess..." "No, Mae Curran killed him," Skinner replied, his ire rising at the insinuations about Scully now. Granger could see it on his face. "You keep saying that, Mr. Skinner," Hall replied quickly. "And I'm bloody well telling you that is not possible. I *know* these people a hell of a lot better than you do and Mae Curran would not take an action like that." "You're wrong," Skinner said softly, angrily. "You didn't believe that Curran would bomb the Irish Embassy either and look what happened yesterday afternoon." Padden stared a hole into Skinner and Granger's lip curled up with satisfaction. Padden looked like an ass for not listening to Mulder, and Padden knew it. "Let me tell you what I see," Padden said quietly, not responding to Skinner's comment. There was something dangerous in his voice. "I see two agents. One of them having abandoned an undercover operation without proper clearance and disappeared into thin air, despite her continued tactical importance for the case..." "‘Tactical importance'?" Skinner asked. "You mean like chum has ‘tactical importance' when you're shark fishing?" Padden stopped him with a raised hand, continued softly. "And I have another agent who has made questionable and meddling decisions throughout the course of his work with this investigative team to the point that he was thrown OFF the case. Who then continued to make questionable decisions, participating in the case with both of your assistance and on his own. Who then offers information, *unlikely* information, about a bombing, which, it could be argued, shows evidence of some knowledge of the operation. And who is now placed, through fingerprints and ballistic evidence, at the scene of the murder of one of the major conspirators of the case." He looked at Skinner and Granger. "Now don't you find any of that a bit strange, gentlemen?" Granger and Skinner looked at him. Granger closed his eyes, anger overwhelming him. "You're trying to frame him for YOUR fuck-up," Skinner said sharply. "You're trying to frame Mulder and get Scully back to use her to try and catch Curran--" "That's enough, Skinner!" Padden shouted. "--who probably *wouldn't* have gotten away had we had the proper resources available to us, instead of you having them sitting 10 blocks up the street with their thumbs up their asses." "Enough!" Padden said again. He pointed in both of their general direction. "Where are Agents Mulder and Scully? And I'm warning you this time: I want an answer." Granger looked at him evenly, his face expressionless again. Skinner did the same thing. "I have no knowledge of either agents' whereabouts." Skinner said softly. Granger looked at him. "Nor do I," he whispered, his voice gone. Padden's jaw tightened. He looked from one to the other for a tense few seconds. Focussing on Skinner he said: "You, I don't believe for a second, and the minute I can prove it I'm going to have your job." Skinner looked unimpressed, his chin coming up. Then Padden turned to Granger on the bed. "*You* on the other hand might just be naive enough that Mulder wouldn't tell you where he was going. You might be telling the truth. And since you have inside information about Agent Mulder, having spent so much time with him in the past few weeks, as soon as you're able, you will begin profiling him in order to give us insight into his behavior surrounding this incident." Granger swallowed, sinking. Shit... "I know he and Scully are together," Padden continued. "They always are. And you, Agent Granger, are going to be in charge of finding them." With that, Padden turned and left the room. Hall looked at both of them for a few seconds, then followed Padden down the hall. Skinner exhaled a breath, his hand going to the bandage on his forehead. Granger sympathized. His own head was pounding, too. If not from the injuries, then from what had just transpired. Skinner turned to him. "Don't get your phone," he said. "I'll make sure it doesn't ring as soon as I can." Granger tried to nod, failed. "Thank you, sir," he whispered. "And try to get some rest," Skinner said, carefully slipping his injured hands into his pockets. "You're apparently going to need it." Granger looked at him sadly. "Goodbye, sir." "Take care of yourself, Granger," Skinner replied, matching his tone. And then Skinner was gone. Granger lay there staring at the ceiling for a long time, thinking of Mulder, somewhere on the road on his way to Scully. Find her quick, Mulder, he thought, his eyes closing. Find her and then run. *********** SHELBY FOREST STATE PARK MILLINGTON, TENNESSEE 2:18 p.m. Mulder followed the narrow service road that ran along the bank of Poplar Tree Lake, winding his way through the hilly area stitched with the trees that gave the lake its name. The rain was falling heavily, a cold rain that sent the flat expanse of the water into a million tiny ripples. He scanned the road ahead, his eyes dry and tired from 15 straight hours of driving, trying to see the cabins up on the hillsides that the rangers had promised would be there if he pressed further into the park. Cabins 6 and 7, to be exact. The only two occupied in this bleak time of year. Finally, through the streams of water running down the passenger window, he saw the first of the row of cabins come into view on the slight rise, a small, rustic structure with a stone chimney, natural wood siding and dark green trim around the curtained windows. There was nobody home at this one, the small gravel drive in front of it empty. He moved on, rubbing his eyes and the stubble on his cheeks to push himself more alert. He couldn't shake the feelings of anticipation and dread that had overcome him since he'd pulled into the park. It pushed him to gun the engine a bit more as he passed the cabin, then another. His heart was thumping against his chest, his fingers tight on the steering wheel as he maneuvered along the roughly paved road. His mind was filled with images of Scully, hurt, frightened at how bad it could be. He pictured Mae, wondered what he would find there, as well. Both were like cards, face down, about to be turned over. He passed through another arch of bare branches, moved off into a clearing. Two more of the small structures, then one more. Then he could see it off in the distance - a pickup parked in the driveway of one of two cabins, which were set only a few dozen feet apart. Lights burned dimly in both cabins' windows, though the curtains were all pulled closed. Smoke rose from one of the chimneys in a lazy, scattered trail, mingling with the rain and the dark branches curved over the house like arms. His expression grim, he aimed the car up the driveway, flicking off the lights as he edged in next to the pickup. He could see a figure peer from behind the curtains of the front window, a woman's face -- Mae's face -- visible in the space between the curtains. He met her gaze for a few seconds until she disappeared, and he climbed from the car, his body weary and stiff but his mind racing. Rain pattered on his leather jacket softly as he made his way up the three steps to the door. There was no need to knock. The door opened as he reached it, but only enough to make room for Mae's body in the gap. Not enough so that he could enter. "Mr. Mulder?" she asked softly, and Mulder nodded. She was standing there, huddled in a thick green sweater, jeans, her arms across her chest. "Yes." His voice did not give away the tumult of feelings rising in him, his hands balled to fists. He wanted to push the door open, push his way into the cabin, but he held back. Things had the air of too much unpredictability. He remained cautious as they stared at each other. Mae seemed uncertain as she looked at him, glancing at him and then down the road. "I came alone," he reassured. "Now please. Let me see her." Mae looked at him for a few more seconds, then seemed to relax a little, her shoulders slumping. She nodded and turned away from the door, leaving it open for him. He entered the cabin, into a large dim room, rustically, simply furnished. A fire was burning in the fireplace on his left, the flames low and untended. The room was cold, the cabin clearly not insulated properly for occupancy this time of year. There was a television on in the far corner, though the sound was down low, just a faint mumbling, the reception fuzzy. Mulder looked from there to the right, to the corner of the room where a bed jutted out from the far wall. There was a lamp on the night stand. It threw a pale light on the still form on the bed. He crossed the room quickly to the bedside. Scully lay on her back, her face turned away from him. She was covered up to her shoulders and looked very small beneath the blankets. Her chest rose and fell unevenly, the sound of her shallow breathing filling the space between them. Her eyes were closed, but her brows were squinted down in obvious pain. He reached out to her as he sat on the edge of the bed, curving a hand around the side of her neck gently, his own brows knitting. Her skin was warm -- too warm -- to the touch, the hair that outlined her face wet, her forehead shining with sweat. "Scully?" he murmured into the quiet, rubbing his thumb softly across her cheek. He encountered wetness there, slowly turned her toward him and the light to get a better look at her face. He bit his lip as he looked at her, a small sound coming unintentionally from his throat. He took in the dark smudges beneath both her eyes, the left eye nothing more than a slit, the swelling and bruising on her cheek and temple. The wetness he'd encountered was blood, a thin line of it going down the side of her face from her nose. "My God," he breathed, alarmed, tears stinging his eyes. He was vaguely aware of Mae coming up behind him. Reaching up, he touched the knot on Scully's temple gently, his fingers shaking as he smoothed them over her hair. "Fagan," he said flatly, not taking his eyes off her. "Yes," Mae replied, her voice showing a little surprise that he knew the name. He nodded, rage swelling in him with the grief. He'd never been so glad someone was dead in his life. He ran a hand over her forehead now, cupping it in his large palm, smoothing back her damp hair. His other hand came out to her throat, pressing softly into the bruised skin there. He winced as he did so. "Her pulse is racing," he said after a few seconds. "And she's burning up." He scooted closer to her, pulling the covers down a little to try and get some air on her. The cross she wore there was tangled in its chain against her flushed skin, the light catching it. He began undoing the top button of her sweat-dampened top, exposing a bit more of her chest. "Don't," Mae said from behind him, taking a step toward him. "She's been shivering, and besides -- that fever needs to break." "I don't need you telling me how to take care of her," he spat, instantly angry, and continued to push the vee of Scully's top open. Mae made an indignant sound behind him. "What the hell do you think I've been doing for the past day but take care of her?" she said sharply. "I think I know a bit more about how she is than you do, Mr. Mulder." "Why didn't you take her to a hospital?" he demanded. When he'd gotten enough air on Scully to satisfy himself, he returned his hand to her forehead. "She wouldn't let me," Mae replied, her voice edgy at his tone. "Her nose is bleeding," Mulder shot back. Now he did turn to look at her, his eyes dark and hard. "She could have brain damage. You should have taken her to a doctor, for Christ's sake." Mae looked at him, the fight coming out of her expression. Then her eyes turned downward, as though she were ashamed of something. "That's not why her nose is bleeding," she said softly. "What are you talking about?" Mulder said, and turned to look at Scully again. "She's been exposed to Owen's drug," Mae said quickly, as though saying it fast would spare him. His world slid to a halt. He stopped breathing for a second, leaned back, held still. Then he looked at Mae in disbelief. She nodded simply, her eyes filling with tears. His teeth grit down. "That can't be." "It's true. I'm sorry." He rose from the bed quickly, cursing under his breath. He brushed by Mae, going to the fireplace, his hands jammed in the pockets of his jeans as he stared at the orange embers for a few seconds, reeling. "Fuck," he said again, his eyes closing. His entire body was tensed and he drew in a deep shaky breath, fighting for the panic down, for control. He wanted to get her to a hospital right away. But he knew that would be pointless, since there was no treatment for the drug anyway. And he knew that taking her out would be risking exposing her to Curran, who would no doubt be looking for her and Mae. His drifted, too, back to the strange phone call with Granger, Skinner's urgent voice on the other end of the line. Something was gnawing at him about that, too, bringing up his guard... He turned now and faced Mae, his face carved with worry. Mae looked away, wiping her face. Scully shifted slowly on the bed, moaned. Mulder returned to the bed quickly, sitting on the edge of the bed again. He leaned in close as her right eye opened. "Scully?" he murmured, moving his face into her line of vision. His palm moved over her forehead again, stroking her hair back. He could see her struggling to focus as she blinked, her breath puffing out. Then she looked away from him, toward the ceiling. "Hey," he said, trying to get her attention. He desperately wanted her to look at him. He leaned down, put his face against hers gently, whispered into her ear. "Scully, I'm here." He pressed a kiss to her damp forehead. When he pulled his face back, she was looking at him, and he could see a flash of recognition. "Mulder..." she breathed, barely audible. "Yes," he whispered back, a bittersweet smile curving his mouth, though his eyes shone. She swallowed, tried to speak. It was no more than a whisper of air. His tears fell now. He was helpless against them. "You're going to be all right, Scully," he said, though his voice broke. "We're going to get through this." She blinked, said nothing. He leaned down again, brushed her lips with his, not caring if Mae was there or not. He moved to Scully's brow, her forehead, tracing them with his lips. Mae withdrew, went out the front door, closing it quietly behind her. Mulder pulled back to meet her gaze again. Her breathing had slowed, but was still shallow. "Scully," he said firmly as her eye turned toward the ceiling again. He wiped at the blood on her cheek with his thumb. Her eye lolled. He could see her struggling against it. Then her eyelid flickered for a few seconds, finally closed... ** ...The wind was a long low note, like the sound coming from a wide wooden flute somewhere in the distance. It blew across the short expanse of the islands, across the white sand of its narrow beach, scattering downed leaves into small spirals as it went. Scully stood in the center of the small body of land, a few feet from where the clear water of the lake that surrounded it lapped the sand into ripples. Her bare feet made indentations in the ground, the hem of her dress -- a forest green -- drawing a small design across the grains as the wind moved it gently against her legs. Her eyes rose from her feet to take in the rest of the dress -- long- sleeved, tight at her wrists, the front curved down at the neck, the front stitched with intricate embroidery. She had never seen it before, and puzzled over it for a moment, her hands running over the stitchery like braille. Then she lifted her head to take in her surroundings. The sky was gun-metal grey, the color of smoke. Hills rose off in the distance all around the lake, guarded by thick woods that gave way to reeds at the banks. The wind continued its mournful note as she stared around, confused but somehow comforted by what she saw. She was safe here on this pale island, guarded by the deep, clear lake. She breathed deeply, calmly. She felt strong, whole. There was only a distant feeling of discomfort now. Like she was somehow connected to someone who was in pain, a gossamer, invisible thread pulling them together. The phantom pains shared by twins. She had the sudden feeling of being watched and turned. Behind her, a bare tree, bleached white with exposure and age, wearing a necklace of crows. The black birds stared at her with their oily, bead-like eyes. A few stretched their wide wings, took nervous steps across the pale branches before settling down again to watch her again. Their looks, their silence, unnerved her. It gave her a feeling of something impending, something unwelcome. As though the birds were biding their time. Waiting for her. The wind shifted, a sudden gust. And there was a smell now. The acrid smell of things burning. She turned again, her nerves stoked, looking for the source of the odor. She pulled in a breath in surprise. Along the hillsides surrounding the lake, a fire burning down toward the banks, the hiss and crackle of wood, the tops of the bare trees blossoming with fire like torches. The air filled with hazy smoke, the color of the sky. It was as though the sky itself had drifted down around her. She squinted against it, her hand going to cover her mouth, nose. She coughed as the smoke stung her throat and lungs, searing heat riding the wind around her. A burst of pain, her head pounding. Then an image pushed into her mind -- herself on a bed, her face badly beaten, her head moving from side to side, her hands weakly pushing down at the blankets across her waist. Someone -- a man in a black shirt, jeans -- was moving at the side of the bed hurriedly, spreading a damp towel across her chest, up to her bruised throat. She could not see his face, only the top of his dark head, his back as he leaned over her. A woman appeared, as well, from the other side of the bed. She pulled the blankets off her waist, folding them down, exposing her legs, clad in grey sweatpants, to the air. She was relieved as she watched herself. Around her, the heat was unbearable. The man disappeared from the view for a moment, returned, placing a wet cloth across her forehead. He had a cup of water, as well, and he lifted her head, tilting it, trying to get her to drink. She turned her face away. He spoke, and she could hear the sound, but could not make out the words. Mulder? Had he been there before? She had a vague recollection of him sitting beside her, his face etched with worry. The skirt of her dress whipped out behind her, flowing in the hot wind. The fire roared down toward the lake. Then, a commotion at the bank. She followed the sound to its source, a rustling in the high grasses, coming towards a small clearing at the edge of the water. Then she saw it appear from the wall of wheat and green. A doe. Huge dark eyes, black velvet nose, creamy tan sides. Her tail flicked in alarm. Scully ached for her, watching the fire coming closer. She took a step closer toward the edge of the water, stopped as she realized her own helplessness. The doe would have to fend for herself. The grass began to catch, hissing. The doe darted back and forth along the bank as Scully watched, taking another step forward. Finally, as the flame trapped her, the doe leapt into the water, instantly up to her neck so that only the top of her head, her nose, a strip of her back, was visible. She swam in an uncertain circle as the flame reached the bank. Scully blew out a breath, relieved, her hand on her stomach to quell the lurch of fear that had lodged there as she'd watched the animal's desperate attempt at escape. Then she held the breath again, straightening, her eyes opening wide in horror. The water had begun to burn, catching as though it were covered with a thin sheen of gas or oil. She spun, looked around the lake. The fire was approaching from all sides now, a tall wall of flame advancing on the island. Behind her, the murder of crows was suddenly calling wildly, the air around her filled with the uneasy fluttering of their blue-black wings. She looked back at them, at their open mouths, the shrill alarm calls sounding to her like mad laughter. She was breathing hard now, the heat making it hard to draw air into her lungs. She looked around frantically for the doe in the water, saw her nose in the air, pointed toward the island now, swimming desperately, the flame just behind... Then the wall of flame overtook her, the huge frightened eyes disappearing in the fire. "No..." Scully whispered. She covered her mouth again against a sudden gust of smoke, her eyes burning. Around her, the flames continued their advance, moving in on her. She backed up against the tree... ** 4:54 p.m. Mulder finished unbuttoning Scully's top, slid it gently down her shoulders, her forehead leaning against his shoulder. She seemed to turn her face instinctively towards his throat, her lips and fast warm breath a comfort against his skin. He could feel the blood from her nose warm on his neck, but ignored it. He scanned the flushed skin of her back, saw the welling of bruises there low near her hip, higher around the curve of her ribcage. He took in her arms, saw the bruised rings around her wrists where she's struggled against a pair of handcuffs. Reluctantly, he stood back, put his arms around the back of her neck and around her shoulders and gently lowered her onto the bed, began working on sliding her sweatpants and underwear down her legs. More bruising greeted him. The bumps of a couple of falls, her kneecaps empurpled, no doubt from hitting the floor on her knees. He was relieved to see nothing more serious than that. Behind him, he could hear the sound of water running in the bathroom cease suddenly, and tossed the clothes haphazardly on the floor beside the soaked shirt he'd just dropped there. Then he reached down and got his arms underneath her, lifted her up, one arm around her shoulders and back and one beneath her knees. She was limp as a ragdoll, her head falling back over his arm, her damp hair trailing down. She trembled, but he couldn't tell if that was from the sudden chill of the cabin air on her damp skin or the drug or both. She was like holding a furnace, the heat coming off her. The fever was well out of control now, and getting higher. Mae stood in the doorway to the bathroom, looking at him expectantly, her face creased with worry, her eyes ushering him forward. He complied silently, carrying Scully across the room to the bathroom as Mae backed up to allow him entrance. Bending low at the waist, he slid Scully into the cold water that filled the tub, soaking his shirt nearly to the shoulders in an attempt to jostle her as little as possible. Mae knelt at the head of the tub and settled Scully's head onto a folded towel there, Scully's chin falling against her shoulder, a fresh trickle of blood coming from her nose with the movement. Mae reached for a wash cloth on the pile on top of the toilet, dipped the cloth in the water and began to dab at her face. For his part, Mulder unbent her knees, slid her down further into the water in an attempt to get as much of her beneath the cool surface as he could. "I wish we had some ice," he fretted softly. "Her fever's got to be over 104." "This will work just fine," Mae reassured. "I've done it for Sean before and it should get it back under control." Mulder nodded, unconvinced. He watched Scully's face for any sign of reaction. She gave none. Only a small sound in her throat, her brow furrowed, giving her that same pained look he'd grown so accustomed to since his arrival at the cabin. He reached in, trickled water down the front of her chest that was not beneath the water. Once. Twice. He had to fight the urge to smooth his hand over the flushed skin. He wanted so much to touch her, as though he meant to take away her pain, her fever, with his hands. "How long can we expect this fever to continue?" he asked. It was one of the first questions he'd asked since Mae returned to the cabin. The two of them had kept their speaking to a minimum, an uneasy truce between them as they concentrated on managing Scully's symptoms as best they could. "I don't know," Mae replied quietly, rinsing the rag in the water and then returning it to Scully's nose. "When she told me what symptoms to expect last night, this wasn't one of the ones she mentioned." "Well, she probably didn't know," Mulder replied, continuing to trickle water down her body where it was not submerged in the water, smoothing his wet hand across her forehead. "Danny Conner only made it about 15 hours before Scully had to give him another dose to keep him from dying. It's been more than 24 hours since her last dose. We're in unmapped territory here." "That could be a good sign, though," Mae offered hopefully. "That she hasn't died and it's been that long." Mulder shook his head. "I don't know," he murmured. "This could just be the stage that she never reached with Conner. There's no way to tell." Mae blew out a tired breath, nodded. Mulder looked at her, realized how much they were both running on fumes at this point. Though he didn't trust her, he did appreciate, for the moment, the care she took over Scully, and that someone else was here. He let his eyes slip closed for a few seconds, letting the fatigue take him for a moment. Then there was a rustling sound behind him, the sound of footsteps. He didn't think. His hand flew from the water to the holster at his hip, his gun immediately in his wet hand. He spun in one smooth movement on one knee, his gun aimed at the doorway. And found himself confronted by a small boy, his small eyes wide with terror, the gun pointed at the center of his forehead. "Mr. Mulder!" Mae called, stricken, her hand clamping down on Mulder's shoulder like a vice. "Don't!" Sean and Mulder looked at each other for a few tense seconds, both of them panting softly. Then Mulder lowered the gun, the tip of it shaking as he laid it on the tiled floor of the bathroom, his fingers still white around the grip. His other hand went to his mouth, covering it. In his current strung-out shape, he'd been awfully close to pulling the trigger first and asking questions later. Mae stood and went to Sean, standing behind him and putting her arms around his chest. She leaned down so she could speak softly into his ear. "I told you not to come in here, Sean," she said firmly, but kissed his temple, as well, to offset her tone. Mulder could see the boy was trembling. His eyes were on Mulder, then they went to Scully in the bathtub. "What's happened to Dr. Black?" he asked, and tears were starting in his eyes. "Shh, shhh," Mae said, turning him away from the bathroom. Mulder could hear her talking as she led him away, back into the room and toward the door. "She's been in an accident and is very sick right now. Mr. Mulder and I are trying to take care of her. You just startled him, that's all. Now let's go back to our cabin so you can watch some television, all right?" The door to the cabin opened and closed and then they were gone. Scully's head rolled slowly to the side. She moaned something softly. It sounded like she said "fire," but he couldn't be certain. He leaned over her, reholstered his gun, his mind racing. Mae had taken Sean away from his father. He closed his eyes. "God*dammit*...." he whispered. He shook his head, watching Scully now as she shifted her body, her legs making the water lap softly against the sides of the tub, her head tossing fitfully, weakly, on the towel behind it. He steadied her with a hand, thinking. Curran would be coming after them with everything he could muster to get Sean back. He was all that Curran had left of Elisa. And though taking the boy was the right thing to do, Mae had sealed her fate with her brother by doing so. He heard the door open and close again, and Mae returned to the bathroom, knelt down next to the head of the tub again. She picked up her wash cloth, folding it primly as though trying to compose herself. Then she dipped it in the water, lay it on Scully's forehead gently, held it there, stilling Scully's movements. Mulder was looking at Mae now, who was having a hard time returning his gaze. "I know what you're thinking," Mae said finally, and now she did look at Mulder. "I know he's going to try and kill me for the things that I've done." "Yes, he is," Mulder replied simply. "And I'm sorry for that. Because what you've done -- in this instance at least -- has been the right thing to do." "‘In this instance'?" she repeated sharply. "I've always done what I believed in, Mr. Mulder. If you're going to judge this situation with an understanding of that fact, you should think about doing the same for the rest of what you know about me." Mulder said nothing to that, returned his attention to Scully. They sat silent in their vigil as darkness began to fall. ** The flames had reached the edge of the island, a perfect circular wall of fire that clawed its way up the slight rise of the beach. Scully watched it from the base of the tree, her hands pressed against the trunk, her nails scraping the white surface of the wood as fear gripped her. The heat was nearly unbearable, the flicker of the flame playing across her face. She lifted a hand up to block the searing light. Above her, the crows began to take off, flapping down around her in their panic to escape. She covered her head with her arms, fending off the blows of the stiff wings, the brushes of the sharp beaks against her face. She could still hear them calling to one another far above her as she focused again on the flames, closer now, her hand still up to shield most of her face. The crows circled, alighted on the moving edges of the tops of the flames, perched there, riding the wall forward towards her, their eyes still on her. She looked from them into the fire. There were things moving within the flames. Figures moving in out, all on fire. Faces pushing out of the wall, bright oranges and yellow, mouths open, speaking to her. The air was filled with the sound of things burning, the voices of people familiar to her. Her mother. Curran. Mae. Sean's greeting every night when she'd come in the door from the clinic, his voice light as a bell chiming over the roar of the flame. Then, as the fire neared, she could see Fagan standing there, made of flame. His eyes glowed as he stared at her. She froze under the weight of his gaze. Then he appeared to swirl for an instant, rejoining the wall as the fire came closer, only a few feet from her legs, the hem of her dress. She turned, breathing hard, and reached up to the lowest branches of the tree, clawing with her hands at the slick bark, trying to get a foothold with her bare feet. She scrambled a foot or two up, but there was no place to go -- the branches were too high for her to pull herself up and away. As she slid down to the ground again, the fire touched the silken hem of her dress, caught instantly, the flame pulling itself up her skirt until it was on fire to her knees. "No!" she screamed, slapping at the fabric with her hands, which only served to scorch her palms. The flames were too fast. She could feel the skin on her legs beginning to blister, then burn. She threw back her head and began to scream. ** 5:46 p.m. Mulder was standing by the fireplace, putting another thin log on the dying fire when he heard Scully begin to moan on the bed, the sound louder than she'd made since he'd arrived at the cabin. Tossing the log in haphazardly, he closed the screen and went to her, sitting on the edge of the bed carefully. She was on her side facing him, clean and dressed in rumpled white pajamas he'd fished out of her suitcase from the back of the truck. He put a hand on her forehead, found the fever higher than when she'd first gotten out of the tub, but not as high as it had been earlier in the evening. With the touch, she moaned again, turned her head towards the ceiling. She was panting, her face red. He could see the veins in her neck, along her temple, were distended, and he realized with dismay that her blood pressure must be soaring. "Scully," he said softly, stroking back her hair. She seemed to grow more agitated. "Scully, it's all right." Instead of being soothed by his words, she jerked sharply, her hands squeezing to fists, trembling as they went to her face, her forehead, tightly. He winced, fear gripping him. The pain in her skull must have grown, suddenly, unbearable. He lay his shaking hand flat on the side of her head and held it there. "Fire..." she said quite clearly this time, and he was surprised to hear she'd regained her voice. "The fire..." Behind him, the door to the cabin opened and Mae entered, carrying bags of food from the diner just outside the park's entrance. She kicked the door closed, her hands full, went to the small coffee table in the corner of the room near the television where she set the bags down. "Mulder..." Scully called, her voice terrified, growing louder. "I'm right here, Scully. What is it? What do you see?" "I'm...I'm on fire!" It came out shrill, suddenly very loud, causing both he and Mae to jump. The room had been quiet for so many hours. Mae came forward, went to the other side of the bed as Mulder leaned over Scully, stricken, put an arm behind her knees, the other around her shoulders, pulling her against him firmly until her face rested against his shoulder and throat. "All right," he soothed. "Scully, it's all right." Mae sat down on the other side, her hand on Scully's back. "It's the drug working its way out of her system. She told me she would hallucinate as that happened. It's good because it means it's leaving her." "It could still kill her," Mulder bit out and Scully cried out against his throat. He put his hand on the back of her head, holding her against him, steadying her. Mae looked down. "I know....she told me what could happen." Mulder ignored her as he pulled Scully closer. "Hang on," he said into her ear, his voice breaking. "Try to hang on...it'll pass, I promise." He hoped like hell he was telling the truth. Then she turned her face into his shoulder and began to scream. *********** The flame was sliding across her belly now, up her chest. She leaned against the tree, fumbling at the back of her dress, hoping to find a zipper there so she could peel out of it, hopefully leave the flame on the ground with it. But the dress had no opening in the back, no opening anywhere. It was as though it were part of her skin, permanently affixed to her. There would be no escaping it that way. Desperate, she pushed at the fire with her arms. Immediately, her hands caught, blistering then growing black as the flames climbed further up -- her breasts now, her shoulders. Finally, she felt it on her face, the advancing wall all around her now. She could smell her hair burning. She screamed, thrashing as the wall overtook her, began licking up the tree behind her. Die...why don't I die...I want to die... The faces in the flame continued to taunt her as the fire consumed her dress, sealing the fabric to her skin first, then burning both, blackening her. Fagan hovered over her as she fell in a heap on her side, her flesh boiling away. Her legs pulled up against her chest, her arms going in as the tendons crackled, her body taking on that perfect fetal position that all burned bodies assume. She could feel her face stretching into a howl, her hair gone, her body beyond the pain now as she somehow remained alive. Her eyes were open, unblinking, the fire bright as the sun as it pulsed around her. The air was filled with the sounds of roaring, howling, screaming. Then, a shadow in the distance, somewhere within the fire. A figure, but not made of flame as the others around her were. She watched it approach, her body burned beyond even her own recognition. She looked down and saw the blackness of the long bone of her femur, all the flesh gone now. The figure drew nearer in the fire, walking steadily up the bank from the lake. She could hear the crows taking off, calling out in alarm, circling the tree above her in wide dark circles. Then she could see him: it was Mulder -- grey t-shirt, jeans, his feet bare. He walked through the fire as though it weren't even there, the flames not touching his tanned skin. It burned around him like a corona. Around him the ghost-like figures in the fire retreated, clearing the path between them. She could not move. She was beyond that now. He knelt in front of her, his face tender as he looked at her. He reached for her and she closed her eyes, made a noise. She felt his hands close around the charred bones of her upper arms, pull her into a sitting position, leaning her against the tree. Then he pulled the burnt shell of her body up, holding her before him. His hands were cool to the touch. She felt herself relaxing as he held her, staring into her eyes. "It's leaving you," he murmured over the sound of the fire. "Let it leave you." As he spoke, her legs began to unbend, growing softer, straightening slowly to the ground until her feet rested just in front of his. Her arms uncurled, as well. She felt suddenly cold, looked down at herself. Her bones whitened, flesh appearing around them, growing, stretching. Her belly rounded from the burnt-out hollow it had become, her breasts reappearing, the nipples formed and pink. He released her arms and she found she could stand on her own, though she swayed slightly. He reached out and touched the side of her head, and his hand was suddenly smoothing through a lock of her hair, her head now covered with it again, the red locks regrown. He cupped her face in his hands and the flesh appeared around her eyes, her lips parting to allow an even breath to escape her. The flames were gathered around her feet, lower, receding. The wall was behind him now, pulling back, the figures darting in and out of the flame. She watched it recede towards the water as she felt the last of the burning leave her. She stood before him, naked and whole and very much alive. He rested his hands on her shoulders, his eyes warm, but his expression growing concerned. Then she could feel it. Swelling around her temple, her head throbbing on that side from the blow. Her left eye began to puff up, closing. She hunched over slightly as a dull throbbing began in her hip and back. Red circles appeared around each of her wrists, bruises rising. Behind him the fire reached the lake. There was a loud hissing and the fire fell, steaming, slowly went out. She breathed in and out evenly, calmly, taking in her surroundings. All around her the forest was green, the trees gathered on the hillsides in majestic stands. A faint mist hung like wool in the tops of the pines, birds calling back in forth in rhyme. On the bank across from her, the doe stood carefully at the water's edge, her nose against the glassy surface, taking in long draughts of water. She looked up at Scully, her large soft ears pricked forward, her eyes wide. With a leap she was back up the bank and in the grasses and was gone. Scully swallowed painfully -- her throat had been squeezed hard and was swollen. Exhaustion was overcoming her. She looked into Mulder's eyes as he stood silently before her, his hand on the side of her face. "Mulder?" she said softly. "I think it's gone..." ** 6:35 p.m. She opened her eyes as best she could, her face pressed into Mulder's shoulder. She could feel him shaking, crying softly, his hand tightly cupped around the back of her head. "Mu..." she managed to breathe, and he loosened his grip, leaning her face away from his shoulder so he could look into her one open eye. "Scully?" he whispered, brushing at her face with his fingertips. "How do you feel?" She turned her head slightly, saw Mae sitting on the other side of the bed, her hand on her back. Like Mulder, she looked very afraid. She turned back to him. "I'm..." she swallowed, tried again. "I'm tired, Mulder." "I know you are, Scully," he replied softly, stroking back her hair. Her forehead was damp, her clothes sticking to her. She realized she'd had a high fever and it had finally broken. Her head throbbed softly, but it was no more than a bad headache. She licked her dry lips, met his gaze wearily. "I think...I think I'll sleep now...for a little while..." "Thank God," she heard Mae whisper from behind her. "Okay, Scully," Mulder replied, and lay her head back down on the pillow. She felt as if she'd never lift her head again -- the exhaustion was that complete. "You sleep," he said gently, though his voice shook. "I'll be here when you wake up, all right?" She nodded slightly, burrowing her cheek into the pillow. And, for the first time in days, she felt herself relax, her limbs heavy, her mind quiet. Her eye closed and she fell in. ********** 7:06 p.m. Mulder lay spooned up against Scully's body, his left arm curled over her so that he could lightly grasp her upturned hand. His face was buried in her hair, and he took in deep breaths of her, moving his face back and forth across the damp strands, letting them caress his lips and the rough stubble on his face. Scully's breathing was so slow that he found himself listening in between the breaths anxiously, waiting for the next deep intake of air. She was perfectly still. Even his slight movements as he ran his hand over hers, across her arm, as he shifted against her, did nothing to disturb her. He knew she would be like this for a long time, the drug finally having loosened its grip on her, releasing her into sleep like a small paper boat onto the mirror surface of a lake. The television murmured softly from the corner on one side of the fireplace. A paper container of soup that Mae had brought for Scully was still sitting on the coffee table, filling the room with a heavy salty smell. Beside it, the remnants of the hurried, awkward meal he and Mae had shared after Scully had fallen asleep. The foil wrapper of a hamburger that he'd consumed almost without chewing, the small basket of fries Mae had picked at, sitting across from him in a wooden rocker, her eyes on her food. "So how long have the two of you been together?" Mae had asked, trying to sound casual, though her voice was taut from the strain of the past hour. Mulder took another bite of his hamburger, spoke around it. "As partners, you mean?" he replied cautiously. Mae wasn't one he wanted to make casual conversation with, and plus, he was not accustomed to talking about he and Scully's relationship with anyone, really. The question caught him slightly off guard. "No," she said softly. "I mean *together*." He swallowed, considered how to answer. Finally he said: "I don't know." He wasn't being evasive on purpose exactly -- he really didn't know when they'd crossed the emotional line between being partners and being lovers. The start of their lovemaking seemed a crude marker when reduced to that. Not privy to his thoughts, Mae had simply nodded, and he could tell she felt rebuffed. Her jaw set a little harder as she chewed. "I see," she said, reaching for another fry. Mulder looked at her, at a loss. He really didn't know what to make of Mae -- part of him kept replaying her file, dwelling on the things she'd been involved in throughout her life. He was frightened by what she seemed capable of. But another part him wanted to trust her. Everything she'd done for Scully, the fact that she'd taken Sean from his father, risking what she had...it all seemed to point toward her being trustworthy. But something was getting in the way of those feelings. As he looked at her, he realized that he was intensely angry at her, associating her with her brother and the terrible things that Scully had been through. And he was angry that she had been the one to save Scully from Fagan while he himself had been standing at the airport like an idiot. His anger at himself had sloshed over onto her, and he was having a hard time letting it go. "Where will you go to get away from Owen?" he asked, his voice tired, strained. It was the closest he could come to finding a topic for conversation. She shook her head. "I don't know," she replied. "Owen's got very long arms. He's extremely well connected, and not just to groups back in Ireland. Some here, as well. The best thing for me to do is to get out of the States." Mulder nodded absently. It made sense. Then he realized Mae was looking at him with a grim expression on her face. He met her gaze questioningly. "You best do the same thing," she said quietly. "He'll be coming after Dana, as well. He won't let her get away." Mulder nodded, his expression matching hers. This wasn't a surprise to him. "Yes," he said. "His bombing of the embassy in retaliation for Elisa's death shows that he'll do anything to satisify his need for revenge. And he's going to blame Scully for everything he's planned failing. And for your betrayal of him." Mae nodded, clearly surprised. "How is it you know all that? You sound as if you know him." "I'm a profiler," Mulder said softly. "That's one of the things I do. And I've been profiling your brother for almost a month now." He did not say it proudly. His tone was more weary than anything else. "So you stopped the bombing?" Mae asked, relief in her voice. "Yes," Mulder replied, polishing off the last of his burger. "Some people I know got hurt pretty bad in the process, but the embassy is safe." She looked down again, that same shy demeanor coming over her. "Thank you," she murmured, almost too softly for him to hear. He looked at her downturned face for a beat. He appreciated her thanks on some level, but on another it piqued his anger. He didn't want thanks for what he had done. He wanted for none of it to have had to happen in the first place. He'd stood then, the suddenness of his movement surprising her. "Yeah, well, I think I"m going to get some sleep, or try to." He dug around for his wallet. "What do I owe you for dinner?" "Nothing," Mae said, standing as well. "You don't owe me a thing, Mr. Mulder." He nodded, awkwardness falling between them. Mae reached for her coat on the arm of the chair and slipped into it. "I'll leave you to her then. If you need anything, I'll be next door, getting some rest myself. Don't be afraid to wake me." He nodded, but somehow could still not bring himself to thank her. She didn't seem to notice. Instead she shook her head, pulling her ponytail out of the back of her coat. "Sean's been asleep for awhile now. You've got to love children. They can sleep through the Armageddon." Mulder gave her a strained smile at her attempt at levity, which she returned. "Sleep well," she said softly. "You too, Mae." Then she was gone. Thinking back on the conversation, Mulder's arm tightened a little around Scully, pressing her more closely against him. He leaned up and rubbed his lips lightly over the whorl of her ear, kissing the lobe gently as he considered what Mae had said. He would get to Skinner, he thought. Get Scully into some kind of protection program where she could be cared for medically while the FBI concentrated on tracking Curran. With that thought in mind, he rose reluctantly, went to his jacket that was slumped over the back of the couch. He dug around in his pocket for his cell phone, tapped the talk button. Hang up...Skinner had said. Hang up right now... The words echoed in his mind and his finger did just that. Something was wrong there, he thought again, his attention coming back to that phone call with Granger for the first time in hours. He still needed to talk to Skinner, find out what had happened. The ranger's station. There were payphones at the ranger's station. He would go there and call Skinner's cell phone. Not his house or the office, both of which might not be secure. That decided, he shouldered into his jacket, checked the screen on the fireplace, and gave Scully a worried, aching look as he stood by the door. Steeling himself, he went for the doorknob. He would not be gone long. ******** He stood in the relative shelter of the small half-booth, a handful of quarters he'd gotten at the diner in a pile beside the phone. The cold rain fell steadily in the dark around him, catching in the light beside the small ranger's station so that it looked like snow. He pulled up his collar against it, shivering, looking at the lone light on in the station. He could see the ranger moving inside the room now and again. He dialed the number, deposited the necessary coinage for the first five minutes of the call, then waited as the phone rang, looking absently at the battered phone. Skinner picked it up on the third ring. "Skinner." "Sir, it's Agent Mulder," he replied. "Whatever you do," Skinner said instantly, "Don't tell me where you're calling from. This line may not be secure." Mulder shifted his weight quickly, leaning into the phone. "Why?" Mulder replied, tensing instantly. "What the hell is going on?" Briefly, Skinner recounted what had happened that morning in Granger's hospital room. "Basically, Padden's trying to frame you for the bombing, for killing Fagan, for all of it," Skinner replied. "If he could find a way to pin global warming on you, he'd do that, too." "Oh, for Christ's sake," Mulder said angrily. "Yeah, it's bad," Skinner continued. "He's considering you and Scully both fugitives at this point, and has set up a new task force to find you, with Granger in charge of profiling you when he's able, the poor son-of-a-bitch. In the meantime, Padden's locking up a conspiracy case against you and hoping to use Scully to lure Curran in, hoping at least his arrest will cover his own pink ass for fucking up the bombing." Mulder's hand went to his forehead. The automated voice told him to deposit more money, and he fumbled with the pile, knocking several coins onto the ground at his feet. They shone silver and bright as eyes. "Dammit," he said, pushing another three dollar's worth into the slot. "Things are a real mess," Skinner said. "The Path members have started turning themselves in and are dropping like flies. There have been nine deaths so far, with 13 others in custody at area hospitals. The doctors from Bethesda on the task force are trying their best to do something for them, but there's just not enough time. I think we're going to lose all of them." "Yeah," Mulder said softly. "I've just seen a little taste of what they go through, and it's horrible." "What do you mean?" Mulder heaved out a breath, told Skinner about what he'd been through with Scully for the past few hours. He spared him the more personal details in the interest of Scully's privacy, but he got the point across about how bad it had been. "We got damn lucky, basically," he finished. "Is she all right now?" Skinner's voice had risen in speed and volume with his concern. "She's alive," Mulder said flatly, pushing down his emotions as he bit out the two words. "That bad." Skinner said it as a statement, not a question. "Yes," Mulder replied. "And on top of that, Mae's confirmed what I already assumed -- that Curran will be coming after her." "I figured that." He heard Skinner exhale, and watched the ranger drift into another room, the light going on. "I'm sorry she's hurt," Skinner continued. "Please give her my best, will you?" "I will." Mulder shifted a bit more beneath the glass canopy of the payphone, hiding from the rain, which had shifted direction with the wind. He glanced around nervously, expecting a car to appear at any moment, filled with someone Curran sent or agents or God only knew what. He glanced at his car tensely. There was a beat of silence. "What the hell am I going to do about all this..." Mulder murmured, mostly to himself. "I'll tell you what you're going to do," Skinner said immediately. "You're going to disappear until I can get this sorted out somehow." "I'm not afraid of Padden's charges," Mulder said firmly. "And if it means keeping Scully from getting the medical attention she needs-- " "I'M afraid of Padden's charges then," Skinner replied. "And as far as Scully goes, she's safer with you on the run than she would be here under Padden's supposed protection. He doesn't care about her life. She's just a pawn to him. That's all she's been all along." Mulder leaned against the phone, needing to move. "But--" "I'll make it an order if I have to, Mulder. I want you out of sight. Out of touch. I don't want you to contact me for a few weeks at least. Give me time to figure out how to get around Padden on all this. Granger will stall him as much as he can, I know that, but we need to buy some time here. And then this stuff with Curran, too...you need to get lost real quickly." Mulder made a fist, tapped against the glass canopy in frustration. He didn't like the idea of running from anything. But Skinner knew better than he did how bad this was, and he would have to take his word for it. "All right," Mulder said finally. "You have to contact Scully's mother. Tell her she's all right. Tell her what's happened as much as you can. And my mother, too, though that's not as pressing." "I will. Both of their lines are being tapped, I'm sure, so I'll go see them in person as soon as I can manage it. Speaking of which, I don't want you using your cell phone anymore. Or Scully's. They've probably got a GPS tracker on your phone. For all we know, they know where you are -- generally -- from your conversation with Granger this morning. You'll need to get moving as fast as you can just in case." Mulder grit his teeth, closed his eyes, cursing softly to himself. "All right," he said again. "I'll move Scully as soon as I think she can handle it." The phone beeped again for more change, saying the call would end in 15 seconds. "Take care of yourself, Mulder," Skinner said, and there was something kind in his voice. "And take good care of Scully, if she'll let you." Mulder smiled mildy at that, despite the turmoil his emotions were in. "I will, sir. You too." Skinner hung up before the line went dead. *********** JANUARY 17 7:32 a.m. Mulder awoke, lifting his head off the pillow, at the sound of a car starting up. He listened closely to it, recognized the hum and cough of Mae's beatup pickup, and felt himself relax some. He checked his watch -- she was probably going for food again, he thought. He leaned up a little to look at Scully, lying beside him, still on her side, her arms and legs curled in tight against her chest and belly. He could see her eyes darting beneath her closed lids as she lay there, drifting in the midst of a dream. Her face was calm, her breathing even. It made him relax even more to watch her. The worst of things seemed to be over. He leaned down and pressed a soft kiss against her forehead, near her hairline, rubbed his cheek softly against her hair. Unlike the previous night, she stirred slightly with the touch, made a small sound in her throat. He was so tired, the past few days still clinging to him. He lay his head back down on the pillow, deciding to try and doze a bit until Mae returned. Seeking warmth and comfort, he pushed his arm beneath Scully's gently, curled it around her middle between her knees and her chest, pulling her against him. She stirred again, this time sharply, as though she were being jerked toward consciousness. The suddenness of it suprised him. "No..." she said softly, and he could see her face twisting to tears. Her arms began pushing at his, her hands gripping his wrist and pulling it away from her body. "Scully, it's all right," he murmured into her ear. Her reaction bothered him on some visceral level he couldn't quite name. "No, don't..." she whispered, something desperate in her voice as she pushed at his arm again. "Don't..." The words sent a chill through him, and he sat up on one elbow, removed his arm from her immediately, dread overcoming him. He waited, barely breathing, while she calmed again, her face relaxing, her breath catching, then releasing as she drifted back into her deep sleep. She's just been through the ringer, he thought, though he did not touch her again. She was bound to be a little off kilter, her emotions not what they usually were. And she was trying to get some sleep for the first time in several days. Her reaction was perfectly natural, he decided, nodding to himself and pushing the feeling of dread away. With those thoughts, he chastised himself for being selfish and disturbing her, and rolled away, slipping from beneath the covers and standing on the cold floor. A televangelist was on the screen, a phone number at the bottom, asking for donations. "Your prayers answered," it said beneath it. Mulder made a face and went to the old set, flicked it off. The silence that was sent through the room with the action was heavy, not a sound outside or in, save Scully's deep breathing from the bed. He went to the fireplace, saw that the fire had died down to faint, glowing embers, the wood holder next to the hearth empty. He vaguely remembered a woodpile next to the cabin from when he'd come in the afternoon before, and went to the couch, pulling on his boots and jacket. He headed out the door quietly. He stood on the small landing outside the door for a moment, his breath puffing out in front of him. The morning sky was white-grey, a few clouds high up, stretched out in a blanket of nimbus. He could see the clouds reflected on the surface of the lake, the water still. Down at the end of the driveway, across the narrow road, there was a small pier pointing out into the lake, T-shaped, studded with a round supports, like truncated telephone poles. On the edge of the pier, a small figure sat, tiny from this distance. Sean. Mulder didn't know much about children, that much was certain. But he did know that Mae was gone, and that kids shouldn't play around the edge of water. With that thought in mind, he blew out a breath and went down the steps, making his way down the gravel drive, across the road, and onto the pier. Sean didn't turn as Mulder came toward him, though Mulder knew the boy could hear his hollow footsteps on the worn wood. Standing just behind Sean, Mulder looked at him. The boy's eyes were down on the lake, a long stick in his hand. He was patting at his reflection with the end of it, sending the dark outline of his body into distorted ripples. His other hand was in the pocket of his small coat, his legs dangling over the edge. Besides the tapping of the stick, Sean was still. "Sean?" Mulder called softly. "What are you doing down here all by yourself?" He said it gently, no tone of reprimand. He didn't feel like he had much of right to discipline the boy, for one. For another, he was truly curious. "Just sitting," Sean replied. Mulder was struck by the boy's thoughtful, heavily accented voice. "Thinking a bit." He continued tapping at his reflection, making a soft splash sound. A hawk called somewhere in the distance, the sound getting caught in the hilly terrain and echoing for a few seconds. Mulder took the few more steps beside him, sat down a few feet from him and dangled his legs over the edge of the pier as well. He had to sit back some to keep his feet from getting wet. "I wanted to say I'm sorry for aiming my gun at you last night," Mulder said softly, looking at him. "You scared me. I thought you might be someone else." Sean looked up, met Mulder's eyes for a few seconds, then looked back down. "You thought I was my daddy," he said softly, and Mulder didn't know what to say to that. His mouth opened and closed like a fish as he struggled to come up with the right thing. Fortunately, Sean spared him. "Aunt Mae says you're some kind of policeman," he said. Mulder nodded. "Yes, a kind of policeman, that's right." Sean looked at him. "She says that Dr. Black is some kind of policeman, too, and that her name isn't really Dr. Black." "Yes, that's right, too," Mulder agreed, still feeling a bit at sea. His exposure to children was limited, but he didn't think any amount of time spent with them would prepare him for THIS conversation. Behind him, he heard a car approaching, turned sharply to look down the road. Mae's pickup appeared from the top of the rise, coming slowly toward the cabins. He could see her looking at them both as she made the turn into the driveway, going up the hill. Sean had likewise turned to watch Mae's approach, but now he returned his eyes to the water. His stick was still as he appeared to be considering something, his small brow furrowed. Mulder let the silence stretch between them, looking out over the water. The hawk was circling now over the water, riding updrafts in graceful circles. He watched it for a long moment. "I'm not going to see my daddy for a long time, she says," Sean said finally. The boy's voice was flat, his emotions tight as a drum. Mulder swallowed, aching. "Yes, that's probably so," he said quietly, looking at Sean's profile again. Sean gave his reflection another tap, sending out a widening circle of ripples. Mulder heard footsteps coming down the gravel drive toward them now, and welcomed them. Sean was nodding now. Mulder kept waiting for tears from him, but Sean remained quiet, his eyes boring into the water. Mae came down the pier, stood behind them. Mulder glanced back at her, and she crooked an eyebrow at him, questioning. Mulder looked back at Sean, his expression sad, then back at Mae. Mae nodded, bit her bottom lip. "I think..." Sean began, hesitated. "You think what, Sean?" Mae asked him gently after a moment. Sean looked up over the lake again, and Mulder saw a grim set in his face that didn't fit on the face of a seven year old boy at all. "I think my daddy must not be a very good man." It came out just above a whisper. Mulder looked down, again at a loss as to what to say. Mae squatted down behind Sean, put her arms around his chest and pulled him back against her. She kissed his temple, pressed her face against the side of his face. "Your father loves you very much, Sean," she said. "That's all you need to know when you think about him, all right?" Sean nodded, and now Mulder did see the tears start in the boy's eyes, though his face was still set, his eyes still on the lake. "It's all right," Mae said, kissed him again. "Everything's going to be all right." She turned after a beat and looked at Mulder. "I checked on Dana when I came in," she said quietly. "She's awake. You might want to go to her." Mulder pulled himself up to this feet immediately, stood before Mae and Sean for a few seconds, wishing there was something he could do. "It's all right," Mae said again, this time to Mulder. "Just go to her." He nodded, turned, and hurried up the pier. ** He entered the cabin to find Scully sitting up on the edge of the bed, the blankets pulled across her middle, one hand fisted on her lap and one on her forehead. She looked up as he entered, and he could see red rims around her eye above the smears of black. She wiped at her eyes gently but quickly as he came forward. "I'm sorry I wasn't here when you woke up," he said softly, pointing with a thumb toward the lake. "Sean--" "Yes," she said, and her voice was hoarse, weak. "Mae told me. It's okay." He stopped a few feet from her, studied her carefully, his nerves kicking up. Her left hand was shaking uncontrollably. She saw him looking at it. "There's been some...damage," she whispered. She pulled herself up straighter on the bed, cleared her throat, fisted both hands in her lap now. Her knuckles were white. "Is it permanent?" he asked, stricken. "There's no way to know," she whispered, and he could hear her frustration in her voice. "Not at this point." He looked at her and nodded. She looked away, clearly trying to avoid his gaze, holding something back, her eye shining. That same feeling of dread that he'd had earlier came over him. Her pushing at his arm, the fear in her voice... No...she had said. Don't.... Something was terribly wrong. More than her hand, more than what she'd been through the night before. Something else, something shadowy he didn't yet know. He swallowed down a lump in his throat that had lodged there suddenly, going cold inside as the realization began to creep in on him. "Tell me," he murmured. He took a step towards her, but stopped as she looked up at him, her gaze very afraid. "Tell you what." It came out soft, flat. She looked down at her hands. He squatted in front of her to look into her face. Her eye darted away again. She took in a shaky breath. "Scully," he said softly. She looked back at him, something desperate on her face for an instant. She shook her head, closed her eye. He reached out tentatively and touched her knee, just barely grazing the fabric of her pajamas with his fingers. "Hey," he said softly, his voice unearthly calm even to his own ears. She looked at him again. "You remember a long time ago...when we first got started on this case. It was Christmas. We were eating in the hotel, remember?" She nodded, her lip trembling. "Yes," she whispered. "You said that night," he continued carefully. "You said that we shouldn't keep things from each other. That we should always tell each other the truth." She bit her lip, twin tears going down her cheeks. She wiped them away with the heel of her hand. "Yes, I remember," she said, and her voice shook. He bent to meet her gaze again. "Then I want you to tell me. Please." She sat silent for a long moment, and he let it stretch. She looked to the side, her lip still caught between her teeth, though it was still trembling. "I couldn't remember..." she said finally, her voice still shaking, the words coming out haltingly. "I couldn't remember what happened...the concussion kept me from remembering for a little while...the drug..." She trailed off. "But you remember now." He said it gently. His own hands went to fists. She looked at him, swallowed. "Yes," she whispered, studying her hands. She hestitated for another long moment, shaking her head. His eyes burned. He braced his hands on his knees, a pain spreading in his belly, his chest. "He raped you." She looked away quickly as he said the word, as though hearing it aloud physically hurt her. Her hands clenched down, her left shaking harder. She jerked a nod. No... He stood quickly as he looked at her. It hadn't been real until she'd nodded. Now it crashed into him. It hurt to breathe. He ran his hand through his hair angrily. He kept thinking of standing at the airport, useless, while it had been happening to her... "Don't," she said hoarsely, looking up at him imploringly. She choked on a breath, struggling to hold it all in. She trembled slightly, as though she were shivering from sudden, intense cold. He watched her, knew that right now she needed him to hang on, to not give in to what he was feeling. He forced his face into composure, wiping away the anger, the anguish. He breathed out a slow breath, though it shook as he released it. Then he took a step towards her. She looked up at him, frightened again, as he reached a hand out and cupped the side of her face. She clenched her eye closed, shook her head once. Now he knelt down in front of her, his hands going to cover hers. He found her fingertips, pulled slightly, trying to loosen her fists. After a moment, her hands opened slowly, and he saw indentations in her palms from her nails. He leaned forward to her lap, pressed a kiss into one palm, then the other. Her forehead fell to the crown of his head and her sobs, finally, broke. *********** UNKNOWN LOCATION TYNER, KENTUCKY 10:14 a.m. Larry Kingston, Grand Marshall of the Sons of Liberty, sat at his wide, cluttered desk, looking over the information in the file carefully, studying the three pictures he had in front of him. He chewed on the end of his pipe, the smoke curling up around the brim of his baseball cap. Occasionally he would look up over the top of the file at the man sitting across the table from him, eyeing him suspiciously. He didn't like these foreign types one bit. Even if the work he was doing made him have to do business with them from time to time. The man sat with his legs crossed, stared back at Kingston levelly. He reached up at one point and ran his finger over the scar along the side of his mouth like he was rubbing a good luck charm. "So what you need here, Mr. Curran, is just help in locating these people?" he asked finally. "Yes, that's all," Curran replied. "And bringing them to me." Kingston leaned back. "These ones here, the woman and the boy," he said, tossing down the photograph with his free hand. "I ain't worried about them. Your sister and your boy, you say they are?" "Aye." "Well, I ain't worried about bringing them in. But this other one, this FBI agent. That could mean trouble for me." Curran leaned forward. "Mr. Kingston, I've done some work for you in the past that wouldn't look good for me if it came out, as well. All I need is for you to find her and bring her to me. That's all. No one even has to know you're involved if it's done the proper way. And I trust you can manage that." Kingston scowled. He really didn't like this one, but the son-of-a- bitch did have a point. He did owe him one. A pretty big one at that. "All right," Kingston said, closed the file, setting his pipe down in the ashtray on the side of the desk. "I'll start working my connections, get their faces out. Shouldn't take that long. We're right good at finding people when we need to. Pays the bills, as they say." Curran smiled, stood. "That was my understanding when we first spoke a long time ago, Mr. Kingston," he said softly. "I appreciate your help." Kingston stood as well, took Curran's outstretched hand reluctantly. He shook the man's hand once stiffly. "I've got your number," Kingston said. "I'll call you when we find something out." "Thank you then," Curran said, and walked out Kingston's door. ********* SHELBY FOREST STATE PARK MILLINGTON, TENNESSEE 3:30 p.m. Scully's eyes were glassy as she watched the cartoons that Sean had found on the television. Though it was a good cartoon, a Warner Brothers she even remembered from her own childhood, Sean had yet to make a sound in reaction to it. He merely knelt in front of the set, his back to her, as though he didn't want to look her. Which, she supposed, he probably didn't. She sensed that he had figured out that his father had something to do with her injuries. She winced just thinking about what must be going through his mind. She had thought it a bad idea to leave him with her, but Mae had said that it would be better if she and Mulder went alone into town, less obvious if Owen had people looking for them already. A woman with a boy, they were looking for. A man and woman, they were not. Plus, Mulder had known that Sean would keep Scully awake, alert, while he and Mae were gone into town to conduct their business. And she needed to be alert, on the outside chance someone might come to the cabin after her. Her gun, which Mulder had brought with him along with her cell phone, was tucked beneath the pillow, her hand resting near it, just in case. She may not have been strong enough to stand, but she was strong enough to shoot. The nerve damage was only in one hand, thankfully. She watched the set, Daffy Duck being erased by a giant pencil, all the way down to his eyes and beak, which then fell to the ground. Finally a sound from Sean, a short laugh that sounded like it hurt. She heard car engines coming closer, her hand slipping beneath the pillow. "Sean?" she called softly. "Can you go to the window and see who that is that's coming?" He turned and nodded, rising slowly and going to the window. He pulled back the curtains, peered outside. She heard the tires on the gravel now, her breath quickening. "It's Aunt Mae and Mr. Mulder," Sean said: "Mr. Mulder's in a blue big truck and Aunt Mae is in a brown van." She could see one of the cars pull up outside the cabin now, a blue full-size Bronco. Older. Faded blue paint and a white top. She saw it shift slightly and heard the door creak shut as Mulder got out. That was what they'd gone into town for -- to trade in Mae's truck and to buy Mulder something for them, something inexpensive. They couldn't very well go driving around in a Bureau car. Mae had been kind enough to volunteer to pay for it with a bit of Owen's money from his suitcases, since Mulder couldn't use his own cards or checks to pay for anything. It could be so easily traced. He'd told her all about his conversation with Skinner. She closed her eyes, her mind swimming with it all. Such a mess. The door opened and Mulder entered, Mae close behind. They carried food with them again, bags of fast food from McDonald's this time. The smell of what must have been a filet of fish in one of the bags made Scully nearly gag. She had yet to regain her appetite from the effects of the drug. "Did you get me a toy?" Sean said, coming forward and grabbing at the box Mae carried with her. "Yes, there's a toy, Sean," Mae said tiredly, let him have it. He went back to the television with it. Mulder came toward her, sat on the edge of the bed gently. He offered her the bag and she took it, though she didn't open it. She merely set it on the mattress in front of her. "Thank you," she murmured, looking up at him. She strained a smile that she didn't feel. He smiled back for an instant, then it was gone. "I'm going to go take care of things while you eat. Then you need to get dressed. I'll help you when I get back if you need it." "Or I can help you," Mae offered from the couch. Scully nodded. "All right," she said, and felt a wave of weakness pass over her. She closed her eyes against it, and Mulder put a hand on the side of her head gently. "You okay?" he asked softly. When she opened her eyes, she could see that same worried expression he'd been wearing all day. She didn't like the look in his eyes. He looked at her as though she were fragile, and she wasn't. Nothing had changed about her. She needed him to believe that about her, so she could believe it about herself. "I'm fine, Mulder," she said softly, reached up and took his hand, gave it a reassuring squeeze. He nodded, looked hurriedly away. ** 4:12 p.m. Mulder drove down the old service road along the lake about a mile from the cabin, following the bank, nosing the dark government sedan down the narrow road beneath the overhang of trees. Finally, he saw what he'd been looking for from the map the ranger had given him when he came in with the Bronco. The service road dead- ended into the lake here, a sign on the edge of the road warning of deep water. No swimming. He bumped off the circular ending to the road, stopped the car on the bank. He climbed out, left the door open, left the car running. Going around to the back of the car, he pulled out a small pen knife from his pocket, used the blade to carefully unscrew the government plates from the car. The car chuffed out a stream of white into the cold air as he did so. He went around to the front, did the same thing. Standing on the edge of the bank, he took first one plate, then the other, throwing them out onto the lake as far as he could. Next, looting around in the deep pocket of his jacket, he pulled out his cell phone, Scully's. He looked down at them almost sadly for a long moment, as though they were the last tangible connections to the lives they'd had. Then he hurled them both after the plates into the lake, watching them spin through the air before they slapped the surface of the water and then were gone. Lastly, he went to the car, leaned in and put the car into drive, stepping back quickly as the car began to move. The car rolled to the edge of the bank, nosed down, and slid into the lake. He watched it as it quickly filled with water through the open door, tilted, and sunk, leaving a trail of bubbles as it descended into the dark water. He pulled his coat around him against the chill, as satisfied as he could be under the circumstances. Turning, he began to jog back to the cabin. He hoped to make it back before it got dark. ** 4:55 p.m. Mulder came up the drive, fighting off a bone-tired that threatened to overwhelm him. He saw Mae hauling one of the heavy suitcases out to the brown, very used minivan she'd bought at the car dealership near the naval station in Millington. "Here, let me help you," he said as he reached the van. He reached down and took the bag from her. "Thank you," she said, and seemed fairly surprised by his kindness. He thought back on how cold he'd been to her since their meeting last night, and began to regret it. He stepped into the van, going to the back where he hustled the bag onto the back seat. The middle seat had been made into a bed for Sean, complete with a pillow that was clearly lifted from the cabin. He stepped back out into the gloaming light next to her. "I've helped Dana get dressed," Mae said. "She's fallen asleep again. She did manage to eat a bit of her dinner, though not much." He nodded. "Thank you for looking after her so well," he said, and it came out easily now. He really meant it. "You're welcome," she said, angling her head slightly at him. They both looked down at their shoes for a minute. "Any more suitcases?" he asked finally, nodding toward her cabin. "No," Mae replied. "I put yours in the back of your truck, as well. We should be set to go." They'd decided to leave as it got dark, slipping by the ranger's station and out onto the highways as the sun went down, getting a head start away from where they were while it was night. It really didn't matter when they travelled, they'd decided, for Scully and Sean's sake. Both would sleep their way through the night regardless of where they were. Mulder gestured toward he and Scully's cabin, and Mae led the way back inside. True to Mae's work, Scully lay on her back on top of the covers, already in her dark coat, fast asleep. Sean was still in front of the television, a plastic car clutched in his hands. "Come on, Sean," Mae called. "It's time for us to say goodbye and get on the road." Mulder went to Scully on the bed, leaned over her and pressed a kiss to her forehead. She stirred and awoke immediately. "Mulder? What is it?" He put an arm beneath her shoulders and neck, urged her up. She helped him weakly. "Everything's done," he said. "We're ready to go." He got her into a sitting position, helped her swing her legs over the side of the bed. He kept a hand on her as Mae and Sean approached the bed. Mae's eyes were shining, a bittersweet smile on her face. Mulder watched Scully look at her, tears beginning in her eyes, as well. He stepped back as Mae came forward, into Scully's open arms. The two women embraced for a long moment. Then Mae pulled back and they kissed each other's cheeks, Mae rubbing at the tears on Scully's face. "I'm so sorry," Mae said, her voice breaking. "I'm so sorry for everything that's happened to you." Scully shook her head. "Don't be," she said softly. "It's not your fault, any of it." She swallowed, met Mae's steady gaze. "I can't thank you enough for what you've done for me. I owe you my life." Mae smiled again, smoothed her hand over Scully's cheek again. "And I owe you mine," she whispered. They embraced again, then Mae pulled back and ushered Sean forward. He stood before Scully and she leaned down to put her arms around him. "Goodbye, Dr. Black," he murmured softly, and turned his face obediantly to kiss her cheek. "Goodbye, Sean," she said softly, and put her hand on his head, smoothing down his hair gently. "You're going to be all right. It's all going to work out just fine." He gazed at her for a few seconds, nodded. Then he turned to Mulder. "Goodbye, Mr. Mulder." Mulder put a hand on his shoulder. "Goodbye, Sean." And Sean withdrew toward the door. Mae turned to Mulder now, dug around in her pocket. She pulled out an envelope. "Here," she said softly. "It's $1500. I'm sorry it couldn't be more, but I don't know what I'll be needing." Mulder looked at her, surprised. "You don't have to do that. You've already given us $3000 for the car." Mae put her hand up. "It's nothing. Really." He took it, stuffed it into his jacket pocket. "Thank you," Scully said softly. Mae nodded, put her hand out to Mulder. "It's been a pleasure to meet you, Mr. Mulder," she said softly. He took her hand, held it for a beat. "You, too, Mae. Thank you. For everything." He released her hand, and she turned to go. "Oh, and another thing..." he said softly. She faced them again. "It's just Mulder." He crooked a wry smile at her, which she returned. Then she looked at Scully again. "We'll see each other again, Dana," she said with conviction. "You wait and see. We'll find each other again." Scully nodded. "Bye, Mae." "Goodbye." And she took Sean's hand and went out the door, closing it softly behind her. Mulder stood motionless as he waited for the sound of the car to start up. When it did, and he heard the grinding of the tires on the gravel, he went to the television, flicked off the cartoons, leaving the room in silence. He felt suddenly awkward standing there with her, without Mae or Sean to distract them from each other. She must have felt it, too, because she had a hard time meeting his eyes. It was just the two of them now, with all that they had been through between them. "You ready to go?" he murmured into the quiet, coming forward to stand in front of her. She nodded, still looking down. Then she reached out, took his hand. She brought it to her lips, ran her lips across his knuckles. "Yes," she said softly. "Let's go." He picked up a pillow, handed it to her, then a folded, small blanket from the foot of the bed. She took them without a word. He leaned down and lifted her into his arms easily, carried her to the door, shutting off the light behind him. Out in the porchlight, he walked carefully down the stairs to the car. He set her down and opened the door for her, helped her climb into the high vehicle. He put the pillow behind her head, spread the blanket over her on the wide bench seat, shut the door. Going around to the other side, he climbed into the driver's seat, started the engine, snapped the pale headlights on. The interior of the car lit up with a blue-white glow, sending Scully's face into shadow. He backed down the driveway, going down the road toward the entrance to the park. Once at the ranger station, he turned out onto the road, heading toward the highway. "Where are we going?" Scully asked from beside him. He could tell from her voice that she was half asleep already. "West," he said simply, looked over at her struggling to remain upright in the seat. "Hey, why don't you lie down? Stretch out." He helped her settle down on the pillow next to his thigh, helped her cover up. She was asleep before they made it out of town. They hit a light right before the entrance to the highway, the car idling roughly. He waited at the red light, thinking. About Skinner and Granger, the trap Padden had set for him should he return. The trap for both of them. About Mae and Sean, wondering what would become of the two of them, if they would make it. About Owen Curran, waiting somewhere out in the night. The light turned green. He gunned the engine, turned onto the entrance ramp to the Interstate. As night pressed in around the car, he sighed, shut his mind down, fighting off the fatigue, the worry. He couldn't think about it anymore. His hand on Scully's arm as he switched lanes, he stopped thinking. He drove. ************* Epilogue *********** ASPENWOOD LODGE STRAWBERRY, ARIZONA FEBRUARY 20 (FOUR WEEKS LATER) 4:36 p.m. Scully awoke to snow. She lay on her side, covered up to her shoulder by the thin, worn blankets, watched the huge flakes fall outside the front window, past the tiny kitchen, past the battered couch and television that she had left on to have some company in the room. She had never been a person who cared for background noise. That had always been Mulder's domain. But now she found being alone unnerved her, and the voices on the small set gave her some comfort, reminded her of a world outside the walls of the efficiency she hadn't left in days. She needed to remedy that and she knew it. It wasn't good for her to isolate herself as much as she had been. Even going for a walk in the lovely white of the aspen forest behind the motel would do her good. But something held her back. Something always held her back now, kept her emotions just out of her reach, out of Mulder's. Only when the dreams awoke her in the middle of the night -- the flashbacks to the visions brought on by the drug, to Fagan -- did she show any sign of emotion, a kind of breathless panic overwhelming her as Mulder sat up beside her, his hand on her back as he refrained from taking her in his arms. He would not embrace her until she embraced him -- it had become an unspoken rule, put into play since the early days of their reunion when his tender offers only served to make the panic worse. She hated the distance it had put between them, how it forced away the ease of their contact with each other. But she could do little about it. The memories were in her body. It reacted even when she did not. She sat up in the bed now, not wanting to think about it anymore. Things would get better with time. Gradually she would forget about what had happened, the dreams drifting away like smoke. She had to believe that. Gathering the blankets around her, she reached for the glass of water she'd placed on the night stand before lying down for her nap. The lamp was on, casting a small light across the pressed wood surface as she lifted the glass to her lips. In her lap, her left hand shook, the fingers curled in against her palm. The tremors were always worse when she was tired, and the nap had done little to alleviate the fatigue. She clenched her fist, willing it to stop. As she set the glass down, her eyes fell on the only other item on the small table. She reached for it, held it in her hand. Mulder's snowglobe. She gave it a shake, holding it up at face level. The plastic flakes whirled, and just beyond them, the snow fell outside the window. She smiled at the twin images, though something about it brought her close to tears. It was the memory of Mulder giving it to her -- her grabbing the package from him as they finished eating. Him lying behind her as she shook it for the first time. "I wanted you to have a white Christmas," he had said. She covered her eyes with her shaking hand, put the snowglobe back down on the table, the flakes falling back into their place. It was hard to think of the other life. The other world where her family, the comfort of she and Mulder's work, the ease of their relationship, seemed to be waiting for her, just out of reach. She heard a car pull up outside, recognized the low thrumming of the Bronco's aging engine. Wiping her eyes quickly, she composed her face. She would not let him see her crying about what they had left behind. Not when he had sacrificed so much to protect her. Steeling herself, she sat up a little straighter as the door opened and Mulder entered, carrying two bags of groceries, his hair and jacket dusted with snow. "Hey," he murmured to her, smiling warmly. "You're up. How you feeling?" She returned the smile, though it did not touch her eyes. "I'm all right," she replied. He went to the kitchen, lay the groceries down on the small countertop. He'd been bringing in fast food since they arrived here four days ago and had decided this afternoon that enough was enough. He'd called Skinner the week before, as he'd done every week since they left Millington. Skinner had told him that there was no change in the situation in Washington, and that until there was he wanted them to stay out. The Gunmen had wired them all the money they could scrounge -- another thousand dollars, with the promise of more. Not much money, but enough if they spent it wisely, which they did. So they'd kept going, working their way across the country, staying where they could for a couple of days at a time and then moving on. It had begun to take its toll on both of them, her especially. She was still weak from the exposure to the drug, from the holdover effects of the concussion. She was losing weight, growing drawn and thinner. So Mulder had decided to stop in this sleepy vacation town nestled in the Arizona mountains near Flagstaff, settle for a little while. She watched him unpack the groceries. The efficiency was small, but clean. The refrigerator was half size, and Mulder had to bend to put the milk, eggs, into it. He went back to the bags, pulled out a box of Mueller's pasta, a jar of Prego, a shaker of spice. "Spaghetti a la Mulder," he said, and she smiled, then looked down, as though the smile had given something away she didn't want him to see. She heard him set the food down on the counter, come across the linoleum in his snow-wet boots. Then he was standing in front of her, a couple of feet away, his hands in his pockets. "You okay?" he asked quietly, and she nodded hurriedly. "Yeah...I'm just...just tired." Her voice shook as she spoke, betraying her. She closed her eyes, bit her lip. Then she reached for him. It was like instinct. She opened her eyes as he grasped her hand and she pulled him forward toward her, her arms going around his waist, her cheek against his belly. "I'm sorry," she whispered as his arms went around her shoulders, a hand going to the side of her head. "Don't be sorry," he said, running his fingers through the strands. "We're in a tough place here. You're bound to be upset. And I know the moving around has been hard on you." "No," she said, turning her head so she could look up into his face. His gaze was tender, his brow creased. "I'm sorry I've been so...far away from you. I don't mean to push you away..." His hands came up to cup her head between them, his thumbs trailing on the hair at her temples. "It's okay," he murmured. "I know you need time." She looked into his eyes, his words striking her off-center. She didn't want to need time anymore. She wanted herself back now. She wanted him back now. She embraced him, her cheek against his belly again. Then she turned her head, rubbed her nose and lips against the soft material of his shirt slowly. She felt him go very still, his hands on the back of her head, just resting there lightly as she moved. Then she reached her hands around, pulled his shirt from the waist of his pants and pushed it up, her lips against the soft line of hair that bisected his stomach. "Scully..." She opened her mouth, breathed a warm breath against his skin. She felt him shiver, her hands on his waist. Then she kissed him again, nuzzled him gently. His hands went to the sides of her head again, angling her face up towards him. Their eyes met, his look questioning. She reached for the collar of his shirt and drew him down until their faces were inches apart., their breath mingling. She leaned forward, touched his lips with hers, a faint brush. He angled his head, coming forward to return the gentle contact. She closed her eyes as he pressed a chaste kiss on her lips, rubbed his cheek against hers. Her hands went to his face and drew him down in earnest now, their mouths opening as they met again, something desperate in it. The fear began to crawl up her body. She began to tense but tried to ignore it, concentrating instead on his mouth, her fingers tunneling in his hair. Then his tongue entered her mouth. She stiffened, drew back suddenly with a gasp, turned her face away. "I'm sorry," he said instantly, leaning back. "I didn't mean--" "No, it's okay," she hurried to reply. "I...I just wasn't ready, I--" "I'm sorry--" "Mulder, it's fine--" "No, I shouldn't have--" "It's all right!" she said sharply, her face twisting to tears as she clenched her eyes closed, her hands going to cover her face. "It's all right..." she said again, and her breath caught, shivered out. She got a handful of his shirt, pulled him to her again, burying her face in the fabric, her whole body shaking. "Okay..." Mulder whispered, holding her against him. "It's okay...just relax..." She clenched the shirt in her shaking fists, struggling for control. After a moment, with a deep breath, she regained it. She would not let this consume her. She owed herself that, for everything she was. She owed it to him. She leaned back and looked at him, into his face, so etched with concern. "I want to try again," she said softly, her voice quiet but steady now. He swallowed. For a moment she thought he might say no. Then he nodded. "Okay," he whispered, smiled at her, something sweet and sad in it. He leaned down again, their eyes never wavering. She nearly lost herself in his eyes as she saw herself through them. Saw herself strong and whole. His look spoke to her as his face inched closer. Let's begin, it said. Let's begin again. ********** END AUTHOR'S NOTES When I first started out to write a sequel to "Goshen," what I wanted to take on was a Mulder and Scully relationship in its maturity. I'd written them at the beginning of their relationship as lovers -- now I wanted to see how they would be a year later, how being lovers would have affected their work, their interaction with each other. I chose to do this by putting the relationship in a sort of trial by fire, in a circumstance where they were forced to be separated, to see how the relationship would fit itself around a series of distances placed within it. That is what the undercover operation is all about, obviously, but it's what other things are about, as well. Mulder being saddled with a new partner in Granger. Scully and her friendship with Mae when Mulder has been, for so long, her entire world. The biggest distance placed between them was, however, the rape. It was written into the story to be the thing that would strike the closest at what IS their bond with each other and would be the ultimate invasion of their private world -- the thing they would have to work the hardest to overcome. Ninety-nine percent of you were patient and trusted me enough to tell the story, and thus dealt with this aspect of the plot. I really appreciate that. But in case its presence still niggles at you, if it hasn't felt resolved in your mind why the rape was in the story, I wanted to tell you outright why it was there. The story was always intended to be a two-part venture. It will continue in "City of Light," which I will most likely begin writing this summer. I hope you'll join me again for that one to see how all this plays out! ;o) THANKS: I want to begin by thanking you, the readers, for your enormous support throughout the long nine-plus months I've spent writing this story. The emails I've received, the encouragement, the ideas that people have put forth that have sometimes ended up changing little things about the chapters as I went along... It's been great getting to know so many people through the writing of this. Special thanks to Linda, Kerri, Missy J, Jen, Stephanie, Nancy and Jean for the stalking, the occasional deconstruction, and the cheerleading. I feel very lucky to have gotten to know you all. I also want to thank people who have pitched in to beta parts of this story. To Heather for her early work on the story. To Sue for her later work. To Beth for her hard work on various chapters and for listening to me talk about this incessantly for all this time. To the people at XScenes for their early betaing and their support through the writing of this. For research help: Peggy, for all of her information about medical issues, from what time the cafeteria closes in a hospital to how to deal with a concussion. To the wonderful people at Scullyfic, the smartest crowd on the web -- where else can you post a question like: "What's the dome of a cathedral called?" and have someone actually answer you within 10 minutes? There was lovely person who helped me with the locations in Boston, as well, whose name has escaped me. Thanks to her. To Pam and Shari for their talk about Shelby Forest and Millington, and to Gwoman for helping me with Richmond when my poor addled brain forgot a place where I lived for so long it felt like a lifetime. To Dani, for sneaking around with me on sites you do NOT want to visit to find out about how to make a truck bomb and what kind of assault rifles are all the rage these days. To Allyson at UVa for talk about the Troubles. The discussions about splits solidified some elements of the story for me. And to Dr. Pete Mikulka for his discussions on serotonin and circadian rhythms. The drug and their side-effects, though completely fictional, were loosely based on those discussions. And finally -- to my three betas: To Sheri for her help with storytelling and craft -- for her enthusiasm and support and for being hard as hell on me and not letting me get away with something easy and thus usually wrong. For the best editing one could hope to have. I owe the cogency of this book to her. To Shari. If you liked the characterizations in this story, you have her at least partly to thank for that -- she kept me honest with them. Also thanks to her for listening to my neurotic ramblings and helping me find my way through this, for careful editing and proofing, and for posting the story on the website for me every week - - and then posting it "out there" when I could not manage to do it myself! And then to Dani -- the best friend I've ever made whom I've never met -- for helping me with the plot of this story, for sharing in the joy and frustration of writing it on a day to day basis, for being my companion through it. This story is dedicated to her. Thanks for reading. It's been a really good time. Bone Bonetree@aol.com